Myth of the Western

New Perspectives on Hollywood's Frontier Narrative
Author: Matthew (University of Essex University of Essex.) Carter
Publisher: Edinburgh University Press
ISBN: 0748685596
Category: Performing Arts
Page: 257
View: 7134
Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genreOCOs socio-cultural, historical and political dimensions."e;

Exploding the Western

Myths of Empire on the Postmodern Frontier
Author: Sara L. Spurgeon
Publisher: Texas A&M University Press
ISBN: 1603445927
Category: History
Page: 168
View: 397
The frontier is the place where cultures meet and rewrite themselves upon each other's texts, making it a setting that many writers and readers of fiction are drawn to. Here Spurgeon focuses on three writers, Cormac McCarthy, Leslie Marmon Silko, and Ana Castillo, whose works not only exemplify the kind of engagement with the theme of the frontier that modern authors make, but also show the range of cultural voices that are present in Southwestern literature. She considers how the differing versions of the Western "mythic" tales are being recast in a globalized world and examines the ways in which they challenge and accommodate increasingly fluid and even dangerous racial, cultural, and international borders.

The myth of the West

America as the last empire
Author: J. W. Schulte Nordholt,Herbert Harvey Rowen
Publisher: Eerdmans Pub Co
Category: History
Page: 227
View: 366
Examines the belief that all history is a succession of civilizations developing from the East to the West, and how this heliotropic myth is altered by contemporary conditions

Gunfighter Nation

The Myth of the Frontier in Twentieth-century America
Author: Richard Slotkin
Publisher: University of Oklahoma Press
ISBN: 9780806130316
Category: History
Page: 850
View: 6515
Examines the ways in which the frontier myth influences American culture and politics, drawing on fiction, western films, and political writing

The Language Myth in Western Culture

Author: Roy Harris
Publisher: Routledge
ISBN: 1136751459
Category: Language Arts & Disciplines
Page: 228
View: 6043
The basic claim of this book is that for 2000 years and more the western tradition has relied on two very dubious assumptions about human communication: that each national language is a unique code and that linguistic communication consists in the utilization of such codes to transfer messages from mind to mind.

The Myth of the Muslim Tide

Do Immigrants Threaten the West?
Author: Doug Saunders
Publisher: Vintage
ISBN: 0307951251
Category: Political Science
Page: 224
View: 7267
From the author of prize-winning Arrival City, a controversial and long-overdue rejoinder to the excessive fears of an Islamic threat that have spread throughout America and Europe and threaten our basic values. Since September 11, 2001, a growing chorus has warned that Western society and values are at risk of being overrun by a tide of Islamic immigrants. These sentiments reached their most extreme expression in July 2011, with Anders Breivik’s shooting spree in Norway. Breivik left behind a 1500 page manifesto denouncing the impact of Islam on the West, which showed how his thinking had been shaped by anti-immigrant writings that had appeared widely in books and respectable publications. In The Myth of the Muslim Tide, Doug Saunders offers a brave challenge to these ideas, debunking popular misconceptions about Muslims and their effect on the communities in which they live. He demonstrates how modern Islamophobia echoes historical responses to earlier immigrant groups, especially Jews and Catholics. Above all, he provides a set of concrete proposals to help absorb these newcomers and make immigration work. The most important trend of the twenty-first century will be a massive global migration to cities and across international borders. Rather than responding to our new religious-minority neighbours with fear and resentment, this book shows us how we can make this change work to our advantage.

The David Myth in Western Literature

Author: Raymond-Jean Frontain,Jan Wojcik
Publisher: Purdue University Press
ISBN: 9780911198553
Category: Literary Criticism
Page: 212
View: 3737
This collection of eleven original essays each by a different scholar outlines the rich body of imaginative and devotional literature which has the biblical poet-warrior-king as its subject or primary focus, showing David to have as strong an imaginative appeal for Western writers as such better-known mythic heroes as Orpheus, Oedipus, Samson, and Ulysses. The introduction to the volume surveys the development of the David myth particularly in British and American literature. The essays represent a variety of critical approaches to the myth as literature, treating in detail such works as Shakespeare's Hamlet, Cowley's Davideis, Christopher Smart's A Song to David, and Faulkner's Absalom, Absalom and examining the complex uses made of David in the Midrash, Talmud, and Patristic writings; medieval sermons and Reformation devotional treatises; and American Puritan sermons.

Myth of the West

Author: Henry Art Gallery
Publisher: Rizzoli International Publications
Category: Arts, American
Page: 191
View: 2971
Covering a period from 1832 to the present, and beginning with some of the earliest renderings of Western art by artists of the European tradition, here is the work of such famous artists as George Catlin, Frederic Remington, and many others. Essays by experts in the field analyze the historic West and its relevance in mainstream American culture.

The Significance of the Western Myth in modern America

Author: Selina Schuster
Publisher: GRIN Verlag
ISBN: 3656497044
Category: Literary Collections
Page: 17
View: 516
Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 2,0, University of Paderborn (Institut für Anglistik/Amerikanistik), course: Pro-Seminar 'The American Frontier', language: English, abstract: In this term paper I’m going to answer the question if the Western Myth and the idea of an American Frontier are still current topics in modern day America. The glorified myth of a frontier moving faster and faster into the unknown is deeply rooted in the heads of the American people, since the first settlers moved westwards, over hundred-fifty years ago. It had an enormous impact on America’s history and on its national identity. But can this idea of a frontier still be found today, or is it just a historically important, but today mostly unappealing episode in recent history books? Furthermore, I will try to find an answer where hints and connections to the myth of the Old West - with its cowboys, lonesome riders and sheriffs - can be found in modern American culture. Are those images of the wild, deserted West still topical and influential, and if so, where. In which parts of life and culture can they be found, or are the Old West and the Western Myth just outdated? I’m going to carry out my researches about this topic with the help of the books ‘The American frontier – Go West, young man’ by Prof. Dr. Michael Porsche, ‘The frontier in American History’ by Frederick Jackson Turner, ‘The Wild West: Myth and History’ by Alexander Emmerich and several internet sources to illustrate and prove my theses. At the end of this term paper I hope to be able to point out, in which parts of everyday life in modern America references to the myth of the Wild West and the American Frontier can be found and which significance they have.

The Myth of Shangri-La

Tibet, Travel Writing, and the Western Creation of Sacred Landscape
Author: Peter Bishop
Publisher: Univ of California Press
ISBN: 9780520066861
Category: History
Page: 308
View: 3654
"Bishop's engrossing and readable account provides us with a fascinating picture of European myths concerning the Land of the Snows and of the role these myths played in shaping perceptions of the Orient. Bishop's riveting portrait of European conceptions is an important and exceptionally well written contribution to an understanding of Western attitudes toward Tibet and all of East Asia."--Morris Rossabi, author of Khubilai Khan: His Life and Times

The American West

The Invention of a Myth
Author: David Hamilton Murdoch
Publisher: University of Nevada Press
ISBN: 9780874173697
Category: History
Page: 136
View: 1085
"Americans have chosen to invest one small part of their history, the settlement of the western wilderness, with extraordinary significance. The lost frontier of the 1800s remains not merely a source of excitement and romance but of inspiration, because it is seen as providing a set of unique and imperishable core-values: individualism, self-reliance, and a pristine sense of right and wrong. As a construct of the imagination, our creation of the West is exceptional. Since this construct has little to do with history, David Murdoch argues that our beliefs about the West amount to a modern functional myth." "In addition to presenting a sustained analysis of how and why the myth originated, Murdoch demonstrates that the myth was invented, for the most part deliberately, and then outgrew the purposes of its inventors." "The American West answers the questions that have too often been either begged or ignored. Why should the West become the focus for myth in the first place, and why, given the long process of western settlement, is the cattleman's West so central and the cowboy, of all prototypes, the mythic hero? And why should the myth have retained its potency up to the last decade of the twentieth century?"--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Frontier Figures

American Music and the Mythology of the American West
Author: Beth E. Levy
Publisher: Univ of California Press
ISBN: 0520952022
Category: Music
Page: 470
View: 2746
Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.

China, the West and the Myth of New Public Management

Neoliberalism and its Discontents
Author: Paolo Urio
Publisher: Routledge
ISBN: 1136296581
Category: Political Science
Page: 336
View: 6818
In the West, innovations in new public management (NPM) have been regarded as part of the neoliberal project, whilst in China, these reforms have emerged from a very different economic and social landscape. Despite these differences however, similar measures to those introduced in the West have been adopted by the Chinese state, which has largely abandoned the planned economy and adopted market mechanisms in the pursuit of improved economic efficiency and growth. Evaluating the results of these reforms in both China and the West between 1978 and 2011, this book shows that despite substantial improvements in economic efficiency in both cases under consideration, there have been considerable negative impacts on the distribution of wealth, access to public services, levels of poverty, public health, and the incidence of crime. Further, this book explores the different results of NPM in China and the West and the conclusions Paolo Urio draws have timely significance, as he suggests that China has been able to change its policies more rapidly and thus more effectively respond to the challenges posed by the current economic crisis. Drawing on both Western and Chinese sources, this innovative book compares the consequences of their public management reforms, taking into account the impact on both the economy and society. As such, this book will be of great interest to students and scholars working in the fields of Chinese studies, Asian studies, business, economics, strategic public management and comparative studies in capitalism and socialism.

The Western Codification of Criminal Law

A Revision of the Myth of its Predominant French Influence
Author: Aniceto Masferrer
Publisher: Springer
ISBN: 3319719122
Category: Law
Page: 427
View: 5588
This volume addresses an important historiographical gap by assessing the respective contributions of tradition and foreign influences to the 19th century codification of criminal law. More specifically, it focuses on the extent of French influence – among others – in European and American civil law jurisdictions. In this regard, the book seeks to dispel a number of myths concerning the French model’s actual influence on European and Latin American criminal codes. The impact of the Napoleonic criminal code on other jurisdictions was real, but the scope and extent of its influence were significantly less than has sometimes been claimed. The overemphasis on French influence on other civil law jurisdictions is partly due to a fundamental assumption that modern criminal codes constituted a break with the past. The question as to whether they truly broke with the past or were merely a degree of reform touches on a difficult issue, namely, the dichotomy between tradition and foreign influences in the codification of criminal law. Scholarship has unfairly ignored this important subject, an oversight that this book remedies.

The Western Landscape in Cormac McCarthy and Wallace Stegner

Myths of the Frontier
Author: Megan Riley McGilchrist
Publisher: Routledge
ISBN: 1136604014
Category: Literary Criticism
Page: 264
View: 6680
The western American landscape has always had great significance in American thinking, requiring an unlikely union between frontier mythology and the reality of a fragile western environment. Additionally it has borne the burden of being a gendered space, seen by some as the traditional "virgin land" of the explorers and pioneers, subject to masculine desires, and by others as a masculine space in which the feminine is neither desired nor appreciated. Both Wallace Stegner and Cormac McCarthy focus on this landscape and environment; its spiritual, narrative, symbolic, imaginative, and ideological force is central to their work. In this study, McGilchrist shows how their various treatments of these issues relate to the social climates (pre- and post-Vietnam era) in which they were written, and how despite historical discontinuities, both Stegner and McCarthy reveal a similar unease about the effects of the myth of the frontier on American thought and life. The gendering of the landscape is revealed as indicative of the attempts to deny the failure of the myth, and to force the often numinous western landscape into parameters which will never contain it. Stegner's pre-Vietnam sensibility allows the natural world to emerge tentatively triumphant from the ruins of frontier mythology, whereas McCarthy's conclusions suggest a darker future for the West in particular and America in general. However, McGilchrist suggests that the conclusion of McCarthy's Border Trilogy, upon which her arguments regarding McCarthy are largely based, offers a gleam of hope in its final conclusion of acceptance of the feminine.

Six Guns and Society

A Structural Study of the Western
Author: Will Wright
Publisher: Univ of California Press
ISBN: 9780520034914
Category: Performing Arts
Page: 217
View: 2846

The Philosophy of the Western

Author: Jennifer McMahon
Publisher: University Press of Kentucky
ISBN: 081317385X
Category: Philosophy
Page: 352
View: 5967
The western is arguably the most iconic and influential genre in American cinema. The solitude of the lone rider, the loyalty of his horse, and the unspoken code of the West render the genre popular yet lead it to offer a view of America’s history that is sometimes inaccurate. For many, the western embodies America and its values. In recent years, scholars had declared the western genre dead, but a steady resurgence of western themes in literature, film, and television has reestablished the genre as one of the most important. In The Philosophy of the Western, editors Jennifer L. McMahon and B. Steve Csaki examine philosophical themes in the western genre. Investigating subjects of nature, ethics, identity, gender, environmentalism, and animal rights, the essays draw from a wide range of westerns including the recent popular and critical successes Unforgiven (1992), All the Pretty Horses (2000), 3:10 to Yuma (2007), and No Country for Old Men (2007), as well as literature and television serials such as Deadwood. The Philosophy of the Western reveals the influence of the western on the American psyche, filling a void in the current scholarship of the genre.

Greek Myth and Western Art

The Presence of the Past
Author: Karl Kilinski
Publisher: Cambridge University Press
ISBN: 1107013321
Category: Art
Page: 281
View: 2440
This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.

Regeneration Through Violence

The Mythology of the American Frontier, 1600-1860
Author: Richard Slotkin
Publisher: University of Oklahoma Press
ISBN: 9780806132297
Category: Literary Criticism
Page: 670
View: 5225
Originally published: Middletown, Conn.: Wesleyan University Press, 1973.