Art and Society

Readings in the Sociology of the Arts
Author: Arnold W. Foster,Judith R. Blau
Publisher: SUNY Press
ISBN: 9780791401170
Category: Social Science
Page: 513
View: 1218
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There is currently no reader in print that provides a broad ranging overview for an undergraduate course on the sociology of the arts or the sociology of culture. This book remedies this situation as it provides students with an overall understanding of the current issues, theoretical approaches, and substantive contributions in the sociology of the arts. Included are chapters on the aesthetic meaning of art; the social and institutional production of art; the links among audiences, artists, and cultural organizations; tensions between artists and their bureaucratized working settings; the training and careers of artists; relations between art and society; and the dynamics of cultural change. In addition to section introductions, there is a comprehensive introduction to provide students with an understanding of the history of the field, its main theoretical currents, and also to provide them with an appreciation of the contributions to cultural studies by other disciplines, such as anthropology and history. An extensive bibliography is also included in the reader, which was developed to assist students who wish to pursue research topics.

The Art and Science of Sociology

Essays in Honor of Edward A. Tiryakian
Author: Roland Robertson,John Simpson
Publisher: Anthem Press
ISBN: 1783085533
Category: Social Science
Page: 223
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A festschrift honoring the work of Edward A. Tiryakian, consisting of a large number of essays.

The Art and Science of Social Research    

First Edition
Author: Deborah Carr,Elizabeth Heger Boyle,Benjamin Cornwell,Shelley Correll,Robert Crosnoe,Jeremy Freese,Mary C Waters
Publisher: W. W. Norton & Company
ISBN: 0393911586
Category:
Page: N.A
View: 4092
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Written by a team of internationally renowned sociologists with experience in both the field and the classroom, The Art and Science of Social Research offers authoritative and balanced coverage of the full range of methods used to study the social world. The authors highlight the challenges of investigating the unpredictable topic of human lives while providing insights into what really happens in the field, the laboratory, and the survey call center.

Constructing a Sociology of the Arts


Author: Vera L. Zolberg
Publisher: Cambridge University Press
ISBN: 9780521359597
Category: Art
Page: 252
View: 9824
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Sociologists who study the arts have focused on constructing images of "the artist" as a social type and have, therefore, been criticized by art professionals for a lack of attention to the creative process and individual artistic personalities. In this book, the author examines the diverse theoretical approaches to the study of the arts and develops a sociological approach that acknowledges the importance of aesthetic imperatives and the individual creative process while also assessing the institutional, economic, and political influences on the creation of art. The author focuses on the ways in which people become artists, the institutions in which their careers unfold, the public they need to please, and the institutional and political pressures with which they must contend. Particular subjects covered include the differing relations of art to primitive and industrialized societies; the process by which works are "recreated" at different times for new social purposes; the role of the audience in the realization of artistic experiences; and the reasons for the evolution of artistic styles. This book makes a major contribution to the development of a sociology of the arts at a time when the role of the arts in society has become a subject of increasing concern to social scientists.

Sociology as an Art Form


Author: Robert Nisbet
Publisher: Routledge
ISBN: 1351488929
Category: Social Science
Page: 145
View: 9694
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""One of our most original social thinkers,"" according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in so-ciology.Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representa-tion found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contribut-ing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de siecle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture.This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another.

The International Handbook of Sociology


Author: Stella R Quah,Arnaud Sales
Publisher: SAGE
ISBN: 1847871569
Category: Social Science
Page: 568
View: 4946
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`The most up-to-date survey of the range of research in contemporary sociology, extremely useful to students, teachers, and researchers alike. Indispensable for collective and personal libraries' - Immanuel Wallerstein, Maison des Sciences de l'Homme, Paris This unique Handbook provides state-of-the-art reviews of sociology conducted by prominent scholars. Drawing on dedicated knowledge and expertise, the book constitutes an unrivalled guide to the central theoretical and methodological perspectives in the discipline as a whole. The book is organized into six parts: o conceptual perspectives o social and cultural differentiation o changing institutions and collective action o demography, cities and housing o art and leisure o social problems Each chapter includes a comprehensive review of the literature, covering the full range of work from contrasting traditions of thought and approaches. No existing work matches this Handbook for scholarly coverage and relevance. It is a primary resource for understanding the discipline. As such, it will appeal to lecturers, researchers and advanced graduate and undergraduate students in Sociology.

The Blackwell Companion to the Sociology of Culture


Author: Mark D. Jacobs
Publisher: John Wiley & Sons
ISBN: 1119250684
Category: Social Science
Page: 520
View: 9508
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This collection of original, state-of-the-art essays by prominent international scholars covers the most important issues comprising the sociology of culture. Provides an invaluable reference resource to all interested in the cultural structures and processes that animate contemporary life Contains 27 essays on the most important issues comprising the sociology of culture, including art, science, religions, race, class, gender, collective memory, institutions, and citizenship Reflects and analyzes the “cultural turn” that has transformed scholarship in the social sciences and humanities.

International Clinical Sociology


Author: Jan Marie Fritz
Publisher: Springer Science & Business Media
ISBN: 0387738274
Category: Social Science
Page: 304
View: 5273
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Clinical sociology is a multidisciplinary field that seeks to improve life situations for individuals and groups. This book showcases the art and science of clinical sociology from around the world. It is the first book to present basic clinical sociology diagrams and models in addition to detailed histories of clinical sociology in the United States, Quebec, France, and Japan. A range of interventions are discussed in light of a region’s economic, social, political, and disciplinary history. The book presents illustrative case studies from leaders in the field, and it serves the need of graduate-level courses from around the world.

The Oxford Handbook of the Sociology of Religion


Author: Peter Clarke
Publisher: Oxford University Press
ISBN: 9780199279791
Category: Philosophy
Page: 1046
View: 6042
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An expert team of international scholars provide fifty-one essays as entry points into the sociological study and understanding of religion and in-depth surveys into its changing forms and content in the contemporary world. Issues discussed range from ecology to law, art to cognitive science, crime to health care.

Art and Social Theory

Sociological Arguments in Aesthetics
Author: Austin Harrington
Publisher: Polity
ISBN: 9780745630380
Category: Social Science
Page: 248
View: 4627
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Art and Social Theory provides a comprehensive introduction to sociological studies of the arts. It examines the central debates of social theorists and sociologists about the place of the arts in society and the social significance of aesthetics. provides a comprehensive introduction to sociological study of art; examines the central debates of social theorists and sociologists about the place of the arts in society and the social significance of aesthetics; discusses the meaning of the arts in relation to changing cultural institutions and socio-economic structures; explores questions of aesthetic value and cultural politics, taste and social class, money and patronage, ideology and utopia, myth and popular culture, and the meaning of modernism and postmodernism; presents lucid accounts of leading social theorists of the arts from Weber, Simmel, Benjamin, Kracauer and the Frankfurt School to Foucault, Bourdieu, Habermas, Baudrillard, Lyotard, Luhmann and Jameson.

Artists in Offices

An Ethnography of an Academic Art Science
Author: Judith E. Adler
Publisher: Transaction Publishers
ISBN: 9781412817547
Category: Art
Page: 165
View: 6674
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Universities have become important sources of patronage and professional artistic preparation. With the growing academization of art instruction, young artists are increasingly socialized in bureaucratic settings, and mature artists find themselves working as organizational employees in an academic setting. As these artists lose the social marginality and independence associated with an earlier, more individual aesthetic production, much cultural mythology about work in the arts becomes obsolete. This classic ethnography, based on fieldwork and interviews carried out at the California Institute of the Arts in the 1980s, analyzes the day-to-day life of an organization devoted to work in the arts. It charts the rise and demise of a particular academic art "scene," an occupational utopian community that recruited its members by promising them an ideal work setting. Now available in paperback, it offers insight into the worlds of art and education, and how they interact in particular settings. The nature of career experience in the arts, in particular its temporal structure, makes these occupations particularly receptive to utopian thought. The occupational utopia that served as a recruitment myth for the particular organization under scrutiny is examined for what it reveals about the otherwise unexpressed impulses of the work world. "One of those rare works that so strikingly captures enduring social truths that its appeal will be as great for the general reader as the specialist."--Michael Useem, The Wharton School of the University of Pennsylvania "[A] signal contribution to the relatively recent but growing field of the sociology of art. It will be widely discussed for a very long time as a work of extraordinary and extraordinarily attractive talent."--Kurt H. Wolff, Brandeis University "A major original work both in sociology of the arts and in sociology of education. Her analysis goes far beyond any similar interpretations of art education or of the art world. It is a lasting contribution to sociology and should become a classic."--Maurice R. Stein, Jacob S. Potofsky, Brandeis University Judith Adler is professor of sociology at Memorial University of Newfoundland, Canada. She holds a Ph.D. from Brandeis University, and she has been published in Society, Social Research, Issues in Criminology, Theory and Society, and The American Journal of Sociology.

A Poetic for Sociology

Toward a Logic of Discovery for the Human Sciences
Author: Richard Harvey Brown
Publisher: University of Chicago Press
ISBN: 9780226076195
Category: Social Science
Page: 302
View: 4714
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For too long, argues Richard Harvey Brown, social scientists have felt forced to choose between imitating science's empirical methodology and impersonating a romantic notion of art, the methods of which are seen as primarily a matter of intuition, interpretation, and opinion. Developing the idea of a "cognitive aesthetic," Brown shows how both science and art—as well as the human studies that stand between them—depend on metaphoric thinking as their "logic of discovery" and may be assessed in terms of such aesthetic criteria of adequacy as economy, elegance, originality, scope, congruence, and form. By recognizing this "aesthetic" common ground between science and art, Brown demonstrates that a fusion can be achieved within the human sciences of these two principal ideals of knowledge—the scientific or positivist one and the artistic or intuitive one. A path, then, is opened for creating a knowledge of ourselves and society which is at once objective and subjective, at once valid scientifically and significantly humane.

The Interrelation of Phenomenology, Social Sciences and the Arts


Author: Michael Barber,Jochen Dreher
Publisher: Springer Science & Business Media
ISBN: 3319013904
Category: Philosophy
Page: 331
View: 4752
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This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor—artist or interpreter—and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts. ​

The Origin of Values

Essays in the Sociology and Philosophy of Beliefs /
Author: Raymond Boudon
Publisher: Transaction Publishers
ISBN: 9780765800435
Category: Social Science
Page: 230
View: 2632
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Values have always been a central topic in both philosophy and the social sciences. Statements about what is good or bad, fair or unfair, legitimate or illegitimate, express axiomatic beliefs about human existence. The fact that values differ from culture to culture and century to century opens many questions for the student of values. How can differences be explained? Can some values be accepted as true and others false? Can the question of validity be ignored in favor of identification of the causes of belief? Thinkers from Adam Smith, Nietzsche, Durkheim, and Weber to John Rawls and Jrgen Habermas have developed theories, rooted in economics, psychology, or biology, to explain why people endorse or reject certain value statements. In The Origin of Values, Raymond Boudon offers empirical, data-based analysis of existing theories about values, while developing his own general perspective as to why people accept or reject value statements. Boudon classifies the main theories of value including those based on firm belief, social or biological factors, and rational or utilitarian attitudes. He discusses the popular and widely influential Rational Choice Model, critiques the postmodernist approach, which sees all values as the emanation of singular cultures. Boudon investigates why relativism has become so powerful and contrasts it with the naturalism represented by the work of James Q. Wilson on moral sensibility. He follows with a constructive attempt to develop a new theory, beginning with Weber's idea of non-instrumental rationality as the basis for a more complex idea of rationality. Applying Boudon's own and existing theories of value to recent and current political issues and social ideas-the end of apartheid, the death penalty, multiculturalism, communitarianism-The Origin of Values is a significant work. Boudon fulfills a major task of social science: explanation of collective belief. His book will be of interest to sociologists, philosophers, psychologists, and political scientists. Raymond Boudon is professor at the University of Paris-Sorbonne (Paris IV). He is the author of The Art of Self-Persuasion, Etudes sur les sociologues classiques, and The Classical Tradition in Sociology: The European Tradition. He is the editor of Annee Sociologique and of the series "Sociologies" at the Presses Universitaires de France. He is a foreign member of the British Academy and of the American Academy of Arts and Sciences..

Sociology Looks at the Arts


Author: Julia Rothenberg
Publisher: Routledge
ISBN: 1317913280
Category: Social Science
Page: 286
View: 5093
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Sociology Looks at the Arts is intended as a concise yet nuanced introduction to the sociology of art. This book will provide a foundation for teaching and discussing a range of questions and perspectives used by sociologists who study the relationship between the arts – including music, performing arts, visual arts, literature, film and new media – and society.

The Sociology of Art (Routledge Revivals)


Author: Arnold Hauser
Publisher: Routledge
ISBN: 1136464468
Category: Social Science
Page: 802
View: 7681
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First published in 1982, The Sociology of Art considers all forms of the arts, whether visual arts, literature, film, theatre or music from Bach to the Beatles. The last book to be completed by Arnold Hauser before his death in 1978, it is a total analysis of the spiritual forces of social expression, based upon comprehensive historical experience and documentation. Hauser explores art through the earliest times to the modern era, with fascinating analyses of the mass media and current manifestations of human creativity. An extension and completion of his earlier work, The Social History of Art, this volume represents a summing up of his thought and forms a fitting climax to his life’s work. Translated by Kenneth J. Northcote.

Complexity Theory and the Social Sciences

The state of the art
Author: David Byrne,Gillian Callaghan
Publisher: Routledge
ISBN: 1134084986
Category: Social Science
Page: 312
View: 2415
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For the past two decades, ‘complexity’ has informed a range of work across the social sciences. There are diverse schools of complexity thinking, and authors have used these ideas in a multiplicity of ways, from health inequalities to the organization of large scale firms. Some understand complexity as emergence from the rule-based interactions of simple agents and explore it through agent-based modelling. Others argue against such ‘restricted complexity’ and for the development of case-based narratives deploying a much wider set of approaches and techniques. Major social theorists have been reinterpreted through a complexity lens and the whole methodological programme of the social sciences has been recast in complexity terms. In four parts, this book seeks to establish ‘the state of the art’ of complexity-informed social science as it stands now, examining: the key issues in complexity theory the implications of complexity theory for social theory the methodology and methods of complexity theory complexity within disciplines and fields. It also points ways forward towards a complexity-informed social science for the twenty-first century, investigating the argument for a post-disciplinary, ‘open’ social science. Byrne and Callaghan consider how this might be developed as a programme of teaching and research within social science. This book will be particularly relevant for, and interesting to, students and scholars of social research methods, social theory, business and organization studies, health, education, urban studies and development studies.

Family and Support Systems across the Life Span


Author: Suzanne K. Steinmetz
Publisher: Springer Science & Business Media
ISBN: 1489921060
Category: Social Science
Page: 291
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Sozialgeschichte der Kunst und Literatur


Author: Arnold Hauser
Publisher: C.H.Beck
ISBN: 3406704573
Category: Literary Criticism
Page: 1119
View: 2902
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Arnold Hauser war einer der ersten, der soziologische Fragestellungen in die Literaturgeschichtsbetrachtung integriert hat. Im vorliegenden Buch beschäftigt er sich grenzüberschreitend mit der Entwicklung von bildender Kunst, Literatur, Musik, Theater und Film. „Die erste wesentliche Soziologie der Kunst, die wir kennen. ... Hausers Buch ist ein Wegweiser durch das Labyrinth der Zeiten und Kulturen.“ Süddeutsche Zeitung

Sociology of the Arts

Exploring Fine and Popular Forms
Author: Victoria Alexander
Publisher: Wiley-Blackwell
ISBN: 9780631230403
Category: Social Science
Page: 388
View: 7426
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This is a comprehensive overview of the sociology of art and an authoritative work of scholarship by a leading expert in the field. The international selection of perspectives, empirical research, and case studies makes this book essential for teaching and studying the sociology of art. Synthesizes the various theoretical models of art sociology. Provides empirical examples of books, films, television shows, dance, and music, as well as exemplars of sociological work on the arts. Discusses works from both fine and popular ends of the cultural spectrum. Explores how art is created, distributed, received, consumed, and used by people who experience it.