The Shock of the New

Art and the Century of Change
Author: Robert Hughes
Publisher: N.A
ISBN: 9780500600214
Category: Art, Modern
Page: 444
View: 9491
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This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written. Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and that for many key art movements this was a practical task of vital importance. The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this books success.

Die Schock-Strategie

Der Aufstieg des Katastrophen-Kapitalismus
Author: Naomi Klein
Publisher: S. Fischer Verlag
ISBN: 3104907269
Category: History
Page: 768
View: 2663
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Erst Schock durch Krieg oder Katastrophe, dann der sogenannte Wiederaufbau: Es funktioniert immer nach den gleichen Mechanismen. Wo vor dem Tsunami Fischer ihren Lebensunterhalt verdienten, stehen heute luxuriöse Hotelresorts, im Irak wurden nach dem Krieg die Staatsbetriebe und die Ölwirtschaft neu verteilt - an westliche Konzerne. Existenzen werden vernichtet, es herrscht Wild-West-Kapitalismus der reinsten Sorte. Naomi Klein, Autorin des Welt-Bestsellers ›No Logo‹, weist in ihrem beeindruckenden Buch nach, wie der Siegeszug der neoliberalen Ideologie in den letzten dreißig Jahren auf extremer Gewalt, auf Katastrophen und sogar auf Folter beruht, um die ungezügelte Marktwirtschaft rund um die Welt von Lateinamerika über Osteuropa und Russland bis nach Südafrika und in den Irak durchzusetzen.

The Age of Atheists

How We Have Sought to Live Since the Death of God
Author: Peter Watson
Publisher: Simon and Schuster
ISBN: 1476754330
Category: Religion
Page: 640
View: 864
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A Publishers Weekly Best Book of 2014 From one of England’s most distinguished intellectual historians comes “an exhilarating ride…that will stand the test of time as a masterful account of” (The Boston Globe) one of the West’s most important intellectual movements: Atheism. In 1882, Friedrich Nietzche declared that “God is dead” and ever since tens of thousands of brilliant, courageous, thoughtful individuals have devoted their creative energies to devising ways to live without God with self-reliance, invention, hope, wit, and enthusiasm. Now, for the first time, their story is revealed. A captivating story of contest, failure, and success, The Age of Atheists sweeps up William James and the pragmatists; Sigmund Freud and psychoanalysis; Pablo Picasso, James Joyce, and Albert Camus; the poets of World War One and the novelists of World War Two; scientists, from Albert Einstein to Stephen Hawking; and the rise of the new Atheists—Dawkins, Harris, and Hitchens. This is a story of courage, of the thousands of individuals who, sometimes at great risk, devoted tremendous creative energies to devising ways to fill a godless world with self-reliance, invention, hope, wit, and enthusiasm. Watson explains how atheism has evolved and reveals that the greatest works of art and literature, of science and philosophy of the last century can be traced to the rise of secularism. From Nietzsche to Daniel Dennett, Watson’s stirring intellectual history manages to take the revolutionary ideas and big questions of these great minds and movements and explain them, making the connections and concepts simple without being simplistic. The Age of Atheists is “highly readable and immensely wide-ranging…For anybody who has wondered about the meaning of life…an enthralling and mind-expanding experience” (The Washington Post).

Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit

Drei Studien zur Kunstsoziologie
Author: Walter Benjamin
Publisher: Suhrkamp Verlag
ISBN: 3518734059
Category: Philosophy
Page: 112
View: 1418
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Walter Benjamin beschreibt in dem Aufsatz Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit die geschichtlichen, sozialen und ästhetischen Prozesse, die mit der technischen Reproduzierbarkeit des Kunstwerkes zusammenhängen. In die Reihe der kunstsoziologischen Arbeiten Benjamins gehören auch die beiden hier zum ersten Mal in Buchform veröffentlichten Texte: Kleine Geschichte der Photographie (1931) und Eduard Fuchs, der Sammler und der Historiker (1937). Sie erhärten Benjamins Einsichten am Einzelfall.

The Making of Sporting Cultures


Author: John Hughson
Publisher: Routledge
ISBN: 1317990684
Category: Sports & Recreation
Page: 152
View: 5587
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The Making of Sporting Cultures presents an analysis of western sport by examining how the collective passions and feelings of people have contributed to the making of sport as a ‘way of life’. The popularity of sport is so pronounced in some cases that we speak of certain sports as ‘national pastimes’. Baseball in the United States, soccer in Britain and cricket in the Caribbean are among the relevant examples discussed. Rather than regarding the historical development of sport as the outcome of passive spectator reception, this work is interested in how sporting cultures have been made and developed over time through the active engagement of its enthusiasts. This is to study the history of sport not only ‘from below’, but also ‘from within’, as a means to understanding the ‘deep relationship’ between sport and people within class contexts – the middle class as well as the working class. Contestation over the making of sport along axes of race, gender and class are discussed where relevant. A range of cultural writers and theorists are examined in regard to both how their writing can help us understand the making of sport and as to how sport might be located within an overall cultural context – in different places and times. The book will appeal to students and academics within humanities disciplines such as cultural studies, history and sociology and to those in sport studies programmes interested in the historical, cultural and social aspects of sport. This book was published as a special issue of Sport in Society.

Britain and World War One


Author: Alan G. V. Simmonds
Publisher: Routledge
ISBN: 1136629963
Category: History
Page: 326
View: 9900
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The First World War appears as a fault line in Britain’s twentieth-century history. Between August 1914 and November 1918 the titanic struggle against Imperial Germany and her allies consumed more people, more money and more resources than any other conflict that Britain had hitherto experienced. For the first time, it opened up a Home Front that stretched into all parts of the British polity, society and culture, touching the lives of every citizen regardless of age, gender and class: vegetables were even grown in the gardens of Buckingham Palace. Britain and World War One throws attention on these civilians who fought the war on the Home Front. Harnessing recent scholarship, and drawing on original documents, oral testimony and historical texts, this book casts a fresh look over different aspects of British society during the four long years of war. It revisits the early war enthusiasm and the making of Kitchener’s new armies; the emotive debates over conscription; the relationships between politics, government and popular opinion; women working in wartime industries; the popular experience of war and the question of social change. This book also explores areas of wartime Britain overlooked by recent histories, including the impact of the war on rural society; the mobilization of industry and the importance of technology; responses to air raids and food and housing shortages; and the challenges to traditional social and sexual mores and wartime culture. Britain and World War One is essential reading for all students and interested lay readers of the First World War.

Modernism


Author: Robin Walz
Publisher: Routledge
ISBN: 1317860926
Category: History
Page: 204
View: 5558
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Robin Walz’s updated Modernism, now part of the Seminar Studies series, has been updated to include significant primary source material and features to make it more accessible for students returning to, or studying the topic for the first time. The twentieth century was a period of seismic change on a global scale, witnessing two world wars, the rise and fall of communism, the establishment of a global economy, the beginnings of global warming and a complete reversal in the status of women in large parts of the world. The modernist movements of the early twentieth century launched a cultural revolution without which the multi-media-driven world in which we live today would not have been possible. Today modernism is enshrined in art galleries and university courses. Its techniques of abstraction and montage, and its creative impulse to innovate and shock, are the stock-in-trade of commercial advertising, feature films, television and computer-generated graphics. In this concise cultural history, Robin Walz vividly recaptures what was revolutionary about modernism. He shows how an aesthetic concept, arising from a diversity of cultural movements, from Cubism and Bauhaus to Abstract Expressionism and Pop Art, and operating in different ways across the fields of art, literature, music, design and architecture, came to turn intellectual and cultural life and assumptions upside down, first in Europe and then around the world. From the nineteenth century origins of modernism to its postmodern legacies, this book will give the reader access to the big picture of modernism as a dynamic historical process and an unfinished project which still speaks to our times.

Geschichte der Eisenbahnreise

zur Industrialisierung von Raum und Zeit im 19. Jahrhundert
Author: Wolfgang Schivelbusch
Publisher: N.A
ISBN: 9783596148288
Category: Eisenbahn - Sozialgeschichte 1830-1900
Page: 222
View: 7848
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Art History: The Basics


Author: Diana Newall,Grant Pooke
Publisher: Routledge
ISBN: 1134191480
Category: Art
Page: 288
View: 9984
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Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university. It will give you answers to questions like: What is art and art history? What are the main methodologies used to understand art? How have ideas about form, sex and gender shaped representation? What connects art with psychoanalysis, semiotics and Marxism? How are globalization and postmodernism changing art and art history? Each chapter introduces key ideas, issues and debates in art history, including information on relevant websites and image archives. Fully illustrated with an international range of artistic examples, Art History: The Basics also includes helpful subject summaries, further ideas for reading in each chapter, and a useful glossary for easy reference.

Modernism and Fascism

The Sense of a Beginning under Mussolini and Hitler
Author: R. Griffin
Publisher: Springer
ISBN: 0230596126
Category: History
Page: 470
View: 2119
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Intellectual debates surrounding modernity, modernism and fascism continue to be active and hotly contested. In this ambitious book, renowned expert on fascism Roger Griffin analyzes Western modernity and the regimes of Mussolini and Hitler and offers a pioneering new interpretation of the links between these apparently contradictory phenomena.

What Are You Looking At?

150 Years of Modern Art in the Blink of an Eye
Author: Will Gompertz
Publisher: Penguin UK
ISBN: 0670920509
Category: Art
Page: 464
View: 5101
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What Are You Looking At? by Will Gompertz - a wonderfully lively and accessible history of Modern Art by the BBC Arts Editor 'An essential primer not only for art lovers but for art loathers too' **** Express What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art. You will learn: not all conceptual art is bollocks; Picasso is king (but Cézanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art, why your 5-year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? cuts through the pretentious art speak and asks all the basic questions that you were too afraid to ask. Your next gallery trip is going to be a little less intimidating and a lot more interesting. 'Robert Hughes's The Shock of the New redone à la Bill Bryson' ****Telegraph This book is essential reading for sceptics, art lovers, and the millions of us who visit art galleries every year - and are confused. It will also be enjoyed by readers of The Story of Art by E.H. Gombrich and is a perfect primer to the subject for the student or beginner. Will Gompertz is the BBC Arts Editor and probably the world's first art history stand-up comedian. He was a Director at the Tate Gallery for 7 years. He has a particular interest in modern art and has written about the arts for The Times and the Guardian for over 20 years. In 2009, he wrote and performed a sell-out one-man comedy show about modern art at the Edinburgh Festival. He was recently voted one of the world's top 50 creative thinkers by New York's Creativity Magazine.

A History of Western Architecture


Author: David Watkin
Publisher: Laurence King Publishing
ISBN: 9781856694599
Category: Architecture
Page: 720
View: 4215
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Surveys the history of Western architecture from its roots in ancient Mesopotamia and Egypt to the present day.

A Companion to Europe, 1900 - 1945


Author: Gordon Martel
Publisher: John Wiley & Sons
ISBN: 9781444391671
Category: History
Page: 584
View: 893
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This volume brings together a distinguished group of international scholars to discuss the major debates in the study of early twentieth-century Europe. Brings together contributions from a distinguished group of international scholars. Provides an overview of current thinking on the period. Traces the great political, social and economic upheavals of the time. Illuminates perennial themes, as well as new areas of enquiry. Takes a pan-European approach, highlighting similarities and differences across nations and regions.

Modernism and the Architecture of Private Life


Author: Victoria Rosner
Publisher: Columbia University Press
ISBN: 0231507879
Category: Literary Criticism
Page: 240
View: 775
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Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design. Elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art, Victoria Rosner's work explores the collaborations among modern British writers, interior designers, and architects in redefining the form, function, and meaning of middle-class private life. Drawing on a host of previously unexamined archival sources and works by figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf, Rosner highlights the participation of modernist literature in the creation of an experimental, embodied, and unstructured private life, which we continue to characterize as "modern."

F. Scott Fitzgerald in Context


Author: Bryant Mangum
Publisher: Cambridge University Press
ISBN: 1107009197
Category: Literary Criticism
Page: 476
View: 6845
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Explores many of the important social, historical and cultural contexts surrounding the life and works of F. Scott Fitzgerald.

A World History of Art


Author: Hugh Honour,John Fleming
Publisher: Laurence King Publishing
ISBN: 9781856694513
Category: Art
Page: 936
View: 9929
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Expanded to include the latest discoveries in prehistoric art as well as the most recent developments in non-Western and modern art, this is an up-to-date and wide ranging history of art.

Sacred Architecture of London


Author: Nigel Pennick
Publisher: Karnac Books
ISBN: 1781810559
Category: Psychology
Page: 312
View: 5577
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London has a unique series of churches built after the Great Fire of 1666, when most of the City of London was destroyed. Among these iconic churches are St Paul's, St Mary-le-Bow, St Bride's, St Clement Danes, St Martin-in-the-Fields, St Mary-le-Strand, St George Bloomsbury and Christ Church Spitalfields. They remain today as outstanding landmarks that define their local cityscapes. Designed by Sir Christopher Wren and his followers - Hawksmoor, Gibbs, Archer and James - these beautiful churches embody spiritual principles expressed through the conventions of Classical architecture. Underlying their outward, visible forms is sacred geometry, an ancient art that explores the invisible inner structure of the Cosmos and gives expression to it in physical form. In this book, Nigel Pennick explains the sacred geometry, spiritual symbols and emblems that make these churches among the most notable buildings of London.

New Progress to Proficiency Student's Book


Author: Leo Jones
Publisher: Cambridge University Press
ISBN: 9780521635530
Category: Foreign Language Study
Page: 208
View: 3897
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This popular exam coursebook has been updated in full colour for the 2002 exam specifications.

Independent Intellectuals in the United States, 1910-1945


Author: Steven Biel
Publisher: NYU Press
ISBN: 0814723446
Category: History
Page: 310
View: 3537
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A new intellectual community came together in the United States in the 1910s and 1920s, a community outside the universities, the professions and, in general, the established centers of intellectual life. A generation of young intellectuals was increasingly challenging both the genteel tradition and the growing division of intellectual labor. Adversarial and anti-professional, they exhibited a hostility to boundaries and specialization that compelled them toward an ambitious and self-conscious generalism and made them a force in the American political, literary, and artistic landscape. This book is a cultural history of this community of free-lance critics and an exploration of their collective effort to construct a viable public intellectual life in America. Steven Biel illustrates the diversity of the body of writings produced by these critics, whose subjects ranged from literature and fine arts to politics, economics, history, urban planning, and national character. Conceding that significant differences and conflicts did exist in the works of individual thinkers, Biel nonetheless maintains that a broader picture of this vibrant culture has been obscured by attempts to classify intellectuals according to political or ideological persuasions. His book brings to life the ways in which this community sought out alternative ways of making a living, devised strategies for reaching and engaging the public, debated the involvement of women in the intellectual community and incorporated Marxism into its evolving search for a decisive intellectual presence in American life. Examined in this lively study are the role and contributions of such figures as Randolph Bourne, Max Eastman, Crystal Eastman, Walter Lippmann, Margaret Sanger, Van Wyck Brooks, Floyd Dell, Edmund Wilson, Mable Dodge, Paul Rosenfeld, H. L. Mencken, Lewis Mumford, Malcolm Cowley, Matthew Josephson, John Reed, Waldo Frank, Gilbert Seldes, and Harold Stearns.