Author: Cornelius L. Reid
A compilation of essays written by renowned singing teachers as their testament to their great singing instructor, whose research and interpretations have given birth to a new era of vocal pedagogy known as 'Functional Voice Training.' The essays explain the four basic principles with which he works: the two-register theory, the necessity for pure vowels, the use of rhythm to encourage the muscles to react spontaneously, and the choice of dynamic.
Thoughts on Simple Singing : Toward a More Adequate Vocal Terminology Edmund Brownless For Cornelius , who has taught us how to think .
Author: Ariel Bybee
Publisher: Scarecrow Press
Category: Literary Collections
Specifically with the applications of the Technique to music making."
A Dictionary of Vocal Terminology : An Analysis ( New York : Joseph Patelson Music House , 1983 ) , 88 . S. RB 11 . 6. MSI 33 7. Singing , 47 . 8.
Author: Pedro de Alcantara
Publisher: Oxford University Press
What is it in singing that makes for high quality, deeply moving performances? Quality and depth, vocal stability, and stamina all depend on firm foundations being laid at the outset of a singers development. The key to truly effective procedures of serious voice training and the best model of singers education is the recognition and understanding of the unique nature of the singing instrument. Compared with other musicians, a singer begins serious study relatively late. Even at institutions of higher education a singer begins work with only a partially formed instrument. It is development of this most personal instrument that forms the focus of Peter T. Harrisons book. These factors are among those that present the complex challenges for singers that are unique in the musical training world. They also give rise to searching ethical questions.To date no science or methodology has been able to prevent a growing existential crisis regarding what the author perceives to be declining standards and values in both training and performance. The author maintains that, while the primary responsibility for setting standards and effective curricula lies with the musical institutions, what constitutes excellence in singing, and what is required to achieve it, are in urgent need of clarification. He proposes a progressive training model that arises logically from holistic principles.A sequel to The Human Nature of the Singing Voice, in which the author explored a holistic basis for teaching and learning this is a challenging book, addressed to all those who have responsibility for singers voices, not least singers themselves. In so doing Peter T. Harrison addresses substantial ethical issues.
6 Midgette, Anne (November 2005) The End of the Great Big American Voice, p. ... Reid, Cornelius (1983) A Dictionary of Vocal Terminology and Analysis, p.
Author: Peter T. Harrison
Publisher: Dunedin Academic Press Ltd
The Sourcebook for Research in Music, in this revised and greatly expanded second edition, is an invaluable guide to the researcher in navigating the vast proliferation of materials in music research. The editors emphasize English-language and recent sources, and also include essential materials in other languages. An opening chapter of introductory materials, including a list of common bibliographical terms with definitions, German and French bibliographical terms, and the plan of the Library of Congress and the Dewey Decimal music classification systems, is followed by seven bibliographical chapters, covering lists of sources as well as collective annotations that introduce and identify specific items. A reference tool containing varied information relating to research in music, the Sourcebook will serve as a classroom text and as a resource for individual music researchers, librarians, faculty members, students, performing and teaching musicians, and musical amateurs.
... 144, 146 The Dictionary of the Opera, 159 A Dictionary of Twentieth-Century Composers, 1911–1971, 150 A Dictionary of Vocal Terminology, 153 Dictionary ...
Author: Phillip Crabtree
Publisher: Indiana University Press
A musician's vocabulary needs more than Do, Re, Mi... Written in clear, concise, easy-to-understand language, The Complete Idiot's Guide® Music Dictionary covers a multitude of musical aspects indispensable to any musician. Author and music professor Stanford Felix has compiled the most commonly found terms and explains them in a way that even the most novice musician can comprehend. ?The only dictionary geared toward the beginner musician ?Gives clear, concise definitions of terms, theories, and instruments, as well as important works, musicians, and composers
A Dictionary of Vocal Terminology: An Analysis. New York: Joseph Petelson, 1983. Ristad, Eloise. A Soprano on Her Head. Moab, UT: Real People Press, 1982.
Author: Dr. Stanford Felix
A Guide to Library Research in Music introduces the process and techniques for researching and writing about music. This informative textbook provides concrete examples of different types of writing, offering a thorough introduction to music literature. It clearly describes various information-searching techniques and library-based organizational systems and introduces the array of music resources available. Pauline Shaw Bayne has cleanly organized the material in three succinct parts, allowing for three independent tracks of study. Part I treats essentials of the research process. It explains starting point resources like library catalogs, dictionaries, and bibliographies; addresses scholarly documentation, the use of style manuals, and basics of copyright; and provides samples of common written research products. Part 2 develops skills and strategies for library and Internet-based research, describing database structures and library catalogs, subject searching in catalogs and journal indexes, keyword searching techniques, related-record searching and citation databases, and the use of experts, the Internet, and thematic catalogs. In Part 3, Bayne describes music uniform titles and select resources that follow the organization of a music library, such as score collections, books and journals in music literature, and music teaching publications. Each chapter concludes with learning exercises to aid the students' concept application and skill development. Appendixes provide short cuts to specific topics in library organizational systems, including Library of Congress Subject Headings and Classification. The concluding bibliography provides a quick overview of music literature and resources, emphasizing electronic and print publications since 2000, but including standard references that all music researchers should know.
An example is A Dictionary of Vocal Terminology: An Analysis by Cornelius L. Reid, which is classed in ML102 along with other dictionaries for voice and ...
Author: Pauline Shaw Bayne
Publisher: Rowman & Littlefield
Category: Language Arts & Disciplines
Voice pedagogy: The term falsetto: Navigating through the semantic minefield. Journal of Singing, 50(1), 53–60. The new Grove dictionary of music and ...
Author: Garyth Nair
Publisher: Plural Publishing
Titles in the Dictionaries for the Modern Musician series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Each dictionary covers topics from instrument parts to technique, major works to key figures—a must-have for any musician’s personal library! A Dictionary for the Modern Singer is an indispensable guide for students of singing, voice pedagogues, and lovers of the art of singing. In addition to classical singing, genres, and styles, musical theatre and popular and global styles are addressed. With an emphasis on contemporary practice, this work includes terms and figures that influenced modern singing styles. Topics include voice pedagogy, voice science, vocal health, styles, genres, performers, diction, and other relevant topics. The dictionary will help students to more fully understand the concepts articulated by their teachers. Matthew Hoch’s book fills a gap in the singer’s library as the only one-volume general reference geared toward today’s student of singing. An extensive bibliography is invaluable for students seeking to explore a particular subject in greater depth. Illustrations and charts further illuminate particular concepts, while appendixes address stage fright, tips on practicing, repertoire selection, audio technology, and contemporary commercial music styles. A Dictionary for the Modern Singer will appeal to students of singing at all levels. For professionals, it will serve as a quick and handy reference guide, useful in the high school or college library and the home teaching studio alike; students and amateurs will find it accessible and full of fascinating information about the world of the singing.
A Dictionary of Vocal Terminology. Huntsville, TX: Recital Publications, 1983. ———. Essays on the Nature of Singing. Huntsville, TX: Recital Publications, ...
Author: Matthew Hoch
Publisher: Scarecrow Press
Author: Kata Ittzésné Kövendi
Category: English language
of the ripu fruit , lacryma ; and of the un- Voice . Vox . In Physiology , the sound ripe fruit , verjuice . The grape when ripe produced by vibration of ...
Author: Chapin Aaron Harris
If classical singers and vocal pedagogues are to be prepared adequately for performance, teaching and co-operation in inter-professional relations, then an holistic education entailing multi-disciplinary study is essential. In this important new book, Karen Sell examines the disciplines pertinent to vocal pedagogy, tracing the lineage of views from the ancient world to the present day. In the process important diverse roots are exposed, yielding differing and even conflicting tonal ideals which have a bearing on the consideration of different singing methods and the interpretation of songs and arias. Ethics and psychology are identified as central to the entire pedagogical process along with the scientific basis of singing: encompassing acoustics, anatomy and physiology, with special reference to the bearing of the latter two upon vocal health and hygiene. A detailed consideration of singing technique is the centrepiece of the book, and an understanding of good technique and scientific awareness is shown to be fundamental to good vocal pedagogical practice. This leads to a discussion on performance and aesthetics, contributing to the education of the fully equipped singer. No study to date has demonstrated the inter-relationships between all these individual disciplines and the ways in which they influence singing pedagogy. Sells holistic, multi-disciplinary approach will be of particular benefit to singers and voice teachers, and will also appeal to music educationalists and professionals in cognate disciplines.
Ramig, L., and Shipp, T. (1987), 'Comparative measures of vocal tremor and vocal ... ——(1983), A Dictionary of Vocal Terminology, New York: Joseph Patelson.
Author: Karen Sell
Vocal Technique: A Guide for Conductors, Teachers, and Singers is the first book to connect the disciplines of vocal pedagogy, vocal science, and choral technique. It fills a need for accurate, well-researched, and easy-to-read information on how to teach and learn singing in both solo and choral contexts. This concise yet comprehensive guidebook offers numerous, practical voice-building and problem-solving suggestions and exercises, as well as clear photographs and elegant illustrations. The authors thoroughly address important topics such as breathing, onset, resonance, vowel modification, vibrato, register transitions, range extension, intonation, changing voices (both adolescent and aging), and vocal health. They integrate the perspectives of renowned artists, choral professionals, vocal pedagogues, and the latest in vocal science. This is a must-have for conductors, voice teachers, and music educators, and will benefit solo and choral singers of all ages and abilities.
Reid, C. L. (1983) A dictionary of vocal terminology: An analysis. New York, NY: joseph Patelson Music House. Robison, C. W., Bounous, B., & Bailey, ...
Author: Julia Davids
Publisher: Waveland Press
“ If the sides , the passage of the voice almost at its of the tongue be depressed after it has starting point . * taken the position required , T or D ...
Author: Chapin Aaron Harris
This book contains six chapters covering key areas of musical aesthetics, including aesthetics of emotions; aesthetics of listening; aesthetics of performance; aesthetics of composition; aesthetics of nature; and aesthetics of commerce. Each chapter adopts an experiential approach to aesthetics, in which perceptual and intuitive musical responses – real-time experiences – are valued as a source of truth. Unlike intellectual aesthetics, which values conscious associations and meticulous artistic appraisals, experiential aesthetics looks primarily at everyday subconscious appreciations. The explorations here draw from the social sciences, hard sciences, philosophy, literature, theology, musicology, humanities, and other fields that directly or indirectly contribute to an understanding of our attraction to music. Presenting user-friendly distillations of numerous theories, concepts, and functions, this book will be of interest to both lay readers and expert practitioners.
15 Thus reads the entry on “Gesture” in Cornelius L. Reid's A Dictionary of Vocal Terminology. As a Western vocal pedagogue, Reid was ever concerned with ...
Author: Jonathan L. Friedmann
Publisher: Cambridge Scholars Publishing
Singer and actors are a unique group of performers, relying almost entirely on their voice for the professional livelihood. Jet lag, amplification, allergens, stress, pollution, and vocal strain all affect vocal performance. Written for the performer, the teacher, and the vocal coach, Care of the Professional Voice offers clear explanations and medical advice on vocal problems and vocal health. Care of the Professional Voice is written by experts in laryngology in the United States and Great Britain. This second edition includes a singer's guide to self-diagnosis.
A Guide to Voice Management for Singers, Actors and Professional Voice Users D ... London, 1979 Reid, C.L., A Dictionary of Vocal Terminology: an Analysis, ...
Author: D Garfield Davies
Category: Performing Arts
In Voice Secrets: 100 Performance Strategies for the Advanced Singer, Matthew Hoch and Linda Lister create order out of the chaotic world of singing. They examine all aspects of singing, including nontechnical matters, such as auditioning, performance anxiety, score preparation, practice performance tips, business etiquette, and many other important topics for the advanced singer. Voice Secrets provides singers with a quick and efficient path to significant improvement, both technically and musically. It is the perfect resource for advanced students of singing, professional performers, music educators, and avid amateur musicians. The Music Secrets for the Advanced Musician series is designed for instrumentalists, singers, conductors, composers, and other instructors and professionals seeking a quick set of pointers to improve their work as performers and producers of music. Easy to use and intended for the advanced musician, contributions to Music Secrets fill a niche for those who have moved beyond what beginners and intermediate practitioners need.
Vocal Technique: A Guide for Conductors, Teachers, and Singers. ... The Functional Unity of the Singing Voice. ... A Dictionary of Vocal Terminology.
Author: Matthew Hoch
Publisher: Rowman & Littlefield
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
The Pianist's Dictionary. ... Selected Musical Terms of NonWestern Cultures: A NotebookGlossary. ... A Dictionary of Vocal Terminology: An Analysis.
Author: Allen Scott
Publisher: Indiana University Press
Volume 6 of the set. Gilson on Trademarks, the definitive trademark law treatise, features: • Comprehensive and current treatment of trademark law in the United States, with clear explanations of basic principles and expert discussion of complex issues • Detailed analysis of infringement, trade dress, right of publicity, false advertising, counterfeiting,dilution and trademark law remedies with extensive case citation • Full coverage of domain name registration and protection under U.S. law and the UDRP • More than 450 trademark practice forms on all aspects of USPTO proceedings, complete with drafting guides, practice tips and filing requirements • Practice forms and drafting guides for federal and state trademark litigation, assignments, licenses, recordal with Customs and domain name challenges • Four volumes of legislative history of the Lanham Act, organized by section • Reprint of USPTO's Trademark Manual of Examining Procedure (TMEP) • USPTO's Acceptable Identification of Goods and Services Manual (ID Manual) • USPTO's Trademark Trial and Appeal Board Manual of Procedure (TBMP) The eBook version of this title features links to Lexis Advance for further legal research options.
Ammer, Christine, The HarperCollins Dictionary of Music (2d rev. ed. 1991). ... Reid, Cornelius L., A Dictionary of Vocal Terminology: An Analysis (1983).
Author: Anne Gilson LaLonde
Noted lexicographer Thomsett here dissects more than 1,400 terms, a buttula to zither, with clarity and precision; 383 high quality original illustrations render concepts that make verbal explanation difficult. Fully cross referenced, this dictionary is an authoritative source for researchers, musicologists, professional musicians, teachers and students of music, and educated members of the public. The richly detailed and comprehensive dictionary proper is followed by a five-language glossary of instruments. An illustrated notation guide provides identification of symbols used in musical scores. The final section comprehensively covers scales, keys and chords.
Noted lexicographer Thomsett here dissects more than 1,400 terms, a buttula to zither, with clarity and precision; 383 high quality original illustrations render concepts that make verbal explanation difficult.
Author: Michael C. Thomsett