A History of the New York Stage from the First Performance in 1732 to 1901 Volume 1

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.

Author: Thomas Allston Brown

Publisher: Franklin Classics

ISBN: 0342294806

Category:

Page: 542

View: 554

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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A History of the New York Stage From the First Performance in 1732 to 1901

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Author: Thomas Allston Brown

Publisher: Palala Press

ISBN: 137763437X

Category: History

Page: 676

View: 643

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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A History of the New York Stage from the First Performance in 1732 to 1901

This book has been considered by academicians and scholars of great significance and value to literature.

Author: T. Allston Brown

Publisher: Alpha Edition

ISBN: 9353866995

Category: History

Page: 536

View: 617

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This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
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A History of the New York Stage from the First Performance in 1732 to 1901 Volume 1 Primary Source Edition

This is a reproduction of a book published before 1923.

Author: Thomas Allston Brown

Publisher: Nabu Press

ISBN: 1293556874

Category:

Page: 544

View: 908

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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A History of the New York Stage from the First Performance in 1732 to 1901 Volume 3 Primary Source Edition

This is a reproduction of a book published before 1923.

Author: Thomas Allston Brown

Publisher: Nabu Press

ISBN: 1294390260

Category:

Page: 690

View: 279

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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A History of the New York Stage from the First Performance in 1732 To 1901

Hardcover reprint of the original 1903 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience.

Author: T. Allston Brown

Publisher:

ISBN: 1462297900

Category:

Page: 535

View: 372

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Hardcover reprint of the original 1903 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Brown, T. Allston (Thomas Allston). A History Of The New York Stage From The First Performance In 1732 To 1901. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Brown, T. Allston (Thomas Allston). A History Of The New York Stage From The First Performance In 1732 To 1901, . New York, Dodd, Mead And Company, 1903. Subject: Theater
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A History of the New York Stage from the First Performance in 1732 to 1901 Volume 2

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Author: Thomas Allston Brown

Publisher: Arkose Press

ISBN: 1344945120

Category:

Page: 670

View: 908

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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A History of the New York Stage from the First Performance in 1732 to 1901 Volume 3

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Author: Thomas Allston Brown

Publisher: Palala Press

ISBN: 1340784149

Category:

Page: 676

View: 734

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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A History of the New York Stage from the First Performance in 1732 to 1901 Primary Source Edition

This is a reproduction of a book published before 1923.

Author: T Allston 1836-1918 Brown

Publisher: Nabu Press

ISBN: 1295342405

Category:

Page: 540

View: 931

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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A History of the New York Stage from the First Performance in 1732 to 1901

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Author: T. Allston 1836-1918 Brown

Publisher: Arkose Press

ISBN: 1344969941

Category:

Page: 668

View: 791

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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A History of the New York Stage from the First Performance in 1732 to 1901

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Author: T Allston 1836-1918 Brown

Publisher: Andesite Press

ISBN: 1298807204

Category:

Page: 540

View: 307

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Restoration of Ford s Theatre Washington D C

May , John F. " The Mark of the Scalpel , ” Columbia Historical Society ... A History of the New York Stage : From the First Performance in 1732 to 1901.

Author: George J. Olszewski

Publisher:

ISBN: UOM:39015032049374

Category:

Page: 138

View: 424

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Historical Dictionary of American Theater

Brown, T. A. A History of the New York Stage from the First Performance in 1732 to 1901, 3 vols. New York: Dodd, Mead, 1903. Butsch, Richard.

Author: James Fisher

Publisher: Rowman & Littlefield

ISBN: 9780810878334

Category: Performing Arts

Page: 570

View: 349

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The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.
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Native American Performance and Representation

Bruce A. McConachie, Melodramatic Formations: American Theatre and ... A History of the New York Stage from the First Performance in 1732 to 1901, 3 vols.

Author: S. E. Wilmer

Publisher: University of Arizona Press

ISBN: 9780816502745

Category: Social Science

Page: 296

View: 376

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Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly expanding field of study. This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women’s position in a multicultural society, and the relationship between authenticity and hybridity in Native performance. An important addition to the new and growing field of Native performance, Wilmer’s book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women’s and gender studies, literary and film studies, and cultural studies.
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