Contemporary Native Fiction

11 Vizenor, here and elsewhere, uses the term “indian” – which is lowercase and sometimes italicized – to refer to the simulations of Native American/First Nations people, those inventions that populate stories of both tragic victimry ...

Author: James J. Donahue

Publisher: Routledge

ISBN: 9780429589263

Category: Literary Criticism

Page: 200

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Contemporary Native Fiction: Toward a Narrative Poetics of Survivance analyzes paradigmatic works of contemporary Native American/First Nations literary fiction using the tools of narrative theory. Each chapter is read through the lens of a narrative theory – structuralist narratology, feminist narratology, rhetorical narratology, and unnatural narratology – in order to demonstrate how the formal structure of these narratives engage the political issues raised in the text. Additionally, each chapter shows how the inclusion of Native American/First Nations-authored narratives productively advance the theoretical work project of those narrative theories. This book offers a broad survey of possible means by which narrative theory and critical race theories can productively work together and is key reading for students and researchers working in this area.
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Mediation in Contemporary Native American Fiction

She perceives contemporary Native American novels as becoming increasingly concerned with tribal and urban life . Though their narrative plotting is Western , they are essentially ritualistic in approach , structure , theme , symbol ...

Author: James Ruppert

Publisher: University of Oklahoma Press

ISBN: 080612749X

Category: Literary Criticism

Page: 174

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Mediation is the term James Ruppert uses to describe his important new theory of reading Native American fiction. Focusing on novels of six major contemporary American writers - N. Scott Momaday, James Welch, Leslie Silko, Gerald Vizenor, D'Arcy McNickle, and Louise Erdrich - Ruppert analyzes the ways in which these writers draw upon their bicultural heritage, guiding Native and non-Native readers alike to a different and expanded understanding of each other's worlds. While Native American writers may criticize white society, revealing its past and present injustices, their emphasis, Ruppert argues, is on healing, survival, and continuance. Their fiction aims to produce cross-cultural understanding rather than divisiveness. To that end they articulate the perspectives and values of competing world views. In particular they create characters who manifest what Ruppert calls "multiple identities" - determined by both Native and non-Native perceptions of the self. These writers use a variety of narrative techniques deriving from different cultural traditions. They might incorporate Native oral storytelling techniques, adapting them to written form, or they might reconstruct Native mythologies, investing them with new meaning and relevance by applying them to contemporary situations. As novel-writers, they also include features more characteristic of western European writing - such as the omniscient narrator or the detective-story plot.
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Great Short Stories by Contemporary Native American Writers

After a brief introductory section that includes early-20th-century stories by Pauline Johnson, Charles A. Eastman, John M. Oskison, and others, the collection focuses on authors who came to prominence in the decades following World War II.

Author: Bob Blaisdell

Publisher: Courier Corporation

ISBN: 9780486490953

Category: Literary Collections

Page: 130

View: 424

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This new anthology of short fiction by Native Americans features a wide range of contemporary writers. After a brief introductory section that includes early-20th-century stories by Pauline Johnson, Charles A. Eastman, John M. Oskison, and others, the collection focuses on authors who came to prominence in the decades following World War II.
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Challenging Realities Magic Realism in Contemporary American Women s Fiction

They employ Western literary genres like the novel together with Native American forms derived from an ancestral oral tradition. Most Native American contemporary fiction aims to approach oral performative techniques in written form, ...

Author: M. Ruth Noriega Sánchez

Publisher: Universitat de València

ISBN: 9788437085364

Category: Social Science

Page: 208

View: 493

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Les arrels del realisme màgic en els escrits de Borges i altres autors d'Amèrica Llatina han estat àmpliament reconeguts i ben documentades produint una sèrie d'estudis crítics, molts dels quals figuren en la bibliografia d'aquest treball. Dins d'aquest marc, aquest llibre presenta als lectors una varietat d'escriptores de grups ètnics, conegudes i menys conegudes, i les col·loca en un context literari en el que es tracten tant a nivell individual com a escriptores així com a nivell col·lectiu com a part d'un moviment artístic més ampli. Aquest llibre és el resultat del treball realitzat a les universitats de Sheffield i la de València i representa una valuosa investigació i una important contribució als estudis literaris.
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Contemporary American Women Fiction Writers

Mother without Child : Contemporary Fiction and the Crisis of Motherhood . Berkeley : University of California Press , 1977 . Holt , Debra C. " Transformation and Continuance : Native American Tradition in the Novels of Louise Erdrich .

Author: Bella Vivante

Publisher: Greenwood Publishing Group

ISBN: 0313316279

Category: Literary Criticism

Page: 407

View: 682

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Covers more than sixty women who published significant fiction after 1945, with a brief biography, exposition of major works and themes, survey of critical reception, and references to primary and secondary sources for each.
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The Routledge Companion to Native American Literature

The Voice That Was in Travel: Stories. Norman: University of Oklahoma Press, 1999. Green, Rayna, ed. That's What She Said: Contemporary Poetry and Fiction by Native American Women. Bloomington: Indiana University Press, 1984.

Author: Deborah L. Madsen

Publisher: Routledge

ISBN: 9781317693192

Category: Literary Criticism

Page: 524

View: 987

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The Routledge Companion to Native American Literature engages the multiple scenes of tension — historical, political, cultural, and aesthetic — that constitutes a problematic legacy in terms of community identity, ethnicity, gender and sexuality, language, and sovereignty in the study of Native American literature. This important and timely addition to the field provides context for issues that enter into Native American literary texts through allusions, references, and language use. The volume presents over forty essays by leading and emerging international scholars and analyses: regional, cultural, racial and sexual identities in Native American literature key historical moments from the earliest period of colonial contact to the present worldviews in relation to issues such as health, spirituality, animals, and physical environments traditions of cultural creation that are key to understanding the styles, allusions, and language of Native American Literature the impact of differing literary forms of Native American literature. This collection provides a map of the critical issues central to the discipline, as well as uncovering new perspectives and new directions for the development of the field. It supports academic study and also assists general readers who require a comprehensive yet manageable introduction to the contexts essential to approaching Native American Literature. It is essential reading for anyone interested in the past, present and future of this literary culture. Contributors: Joseph Bauerkemper, Susan Bernardin, Susan Berry Brill de Ramírez, Kirby Brown, David J. Carlson, Cari M. Carpenter, Eric Cheyfitz, Tova Cooper, Alicia Cox, Birgit Däwes, Janet Fiskio, Earl E. Fitz, John Gamber, Kathryn N. Gray, Sarah Henzi, Susannah Hopson, Hsinya Huang, Brian K. Hudson, Bruce E. Johansen, Judit Ágnes Kádár, Amelia V. Katanski, Susan Kollin, Chris LaLonde, A. Robert Lee, Iping Liang, Drew Lopenzina, Brandy Nālani McDougall, Deborah Madsen, Diveena Seshetta Marcus, Sabine N. Meyer, Carol Miller, David L. Moore, Birgit Brander Rasmussen, Mark Rifkin, Kenneth M. Roemer, Oliver Scheiding, Lee Schweninger, Stephanie A. Sellers, Kathryn W. Shanley, Leah Sneider, David Stirrup, Theodore C. Van Alst, Jr., Tammy Wahpeconiah
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Violence in the Contemporary American Novel

Vernon E. Lattin , “ The Quest for Mythic Vision in Contemporary Native American and Chicano Fiction , ” American Literature 50 ( 1979 ) : 637–38 ; all subsequent references to this article are cited parenthetically in the text . 5.

Author: James Richard Giles

Publisher: Univ of South Carolina Press

ISBN: 1570033285

Category: Literary Criticism

Page: 161

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Framing his study with two cases of violence involving children in Chicago, he notes the degree to which violence in the novels is perpetrated by adults against children or, even more shockingly, by children against children.".
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Encyclopedia of American Indian Literature

All My Relations: An Anthology of Contemporary Canadian Native Fiction 1 1 All My Relations: An Anthology of Contemporary Canadian Native. incursion of Euro-American culture. This tragedy is the subject of her 1983 novel The Woman Who ...

Author: Jennifer McClinton-Temple

Publisher: Infobase Publishing

ISBN: 9781438120874

Category: American literature

Page: 479

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American Indians have produced some of the most powerful and lyrical literature ever written in North America. Encyclopedia of American Indian Literature covers the field from the earliest recorded works to some of today's most exciting writers. This encyclopedia features the most respected, widely read, and influential American Indian writers to date. --publisher description.
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Postcolonial Theory and the United States

But even though contemporary Native American fiction is produced in a condition of ongoing colonialism, some of that fiction not only has the look of postcolonial fiction but also, as I will try to show in the second part of this ...

Author: Amritjit Singh

Publisher: Univ. Press of Mississippi

ISBN: 9781578062522

Category: History

Page: 471

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Probing essays that examine critical issues surrounding the United States's ever-expanding international cultural identity in the postcolonial era Download Plain Text version At the beginning of the twenty-first century, we may be in a "transnational" moment, increasingly aware of the ways in which local and national narratives, in literature and elsewhere, cannot be conceived apart from a radically new sense of shared human histories and global interdependence. To think transnationally about literature, history, and culture requires a study of the evolution of hybrid identities within nation-states and diasporic identities across national boundaries. Studies addressing issues of race, ethnicity, and empire in U.S. culture have provided some of the most innova-tive and controversial contributions to recent scholarship. Postcolonial Theory and the United States: Race, Ethnicity, and Literature represents a new chapter in the emerging dialogues about the importance of borders on a global scale. This book collects nineteen essays written in the 1990s in this emergent field by both well established and up-and-coming scholars. Almost all the essays have been either especially written for this volume or revised for inclusion here. These essays are accessible, well-focused resources for college and university students and their teachers, displaying both historical depth and theoretical finesse as they attempt close and lively readings. The anthology includes more than one discussion of each literary tradition associated with major racial or ethnic communities. Such a gathering of diverse, complementary, and often competing viewpoints provides a good introduction to the cultural differences and commonalities that comprise the United States today. The volume opens with two essays by the editors: first, a survey of the ideas in the individual pieces, and, second, a long essay that places current debates in U.S. ethnicity and race studies within both the history of American studies as a whole and recent developments in postcolonial theory. Amritjit Singh, a professor of English and African American studies at Rhode Island College, is coeditor of Conversations with Ralph Ellison and Conversations with Ishmael Reed (both from University Press of Mississippi). Peter Schmidt, a professor of English at Swarthmore College, is the author of The Heart of the Story: Eudora Welty's Short Fiction (University Press of Mississippi).
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