Der Sturm (La Tempesta)

For SATB Chorus/Choir (Vocal Score)
Author: Franz Joseph Haydn
Publisher: Alfred Music
ISBN: 9781457484971
Category: Music
Page: 24
View: 8965
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A choral for SATB with Orchestra Accompaniment composed by Franz Joseph Haydn.

Shakespeare's Dramatische Werke: Julius Cäsar. Was ihr wollt. Der Sturm. Hamlet. Der Kaufman von Venedig. Wie es euch gefällt


Author: William Shakespeare
Publisher: N.A
ISBN: N.A
Category:
Page: N.A
View: 9388
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Herwarth Walden and Der Sturm

artists and publications : February 27 through May, 1981, Helen Serger, La Boetie, inc
Author: Katherine Jánszky Michaelsen,Marianne Flack,Helen Serger La Boetie, Inc
Publisher: N.A
ISBN: N.A
Category: Art, Modern
Page: 62
View: 4032
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The Visual Arts in Germany 1890-1937

Utopia and Despair
Author: Shearer West
Publisher: Manchester University Press
ISBN: 9780719052798
Category: Art, German
Page: 242
View: 8591
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This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.

Four Metaphors of Modernism

From Der Sturm to the Société Anonyme
Author: Jenny Anger
Publisher: U of Minnesota Press
ISBN: 1452956308
Category: Art
Page: 320
View: 9111
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Exploring the significance of metaphor in modern art “Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels.” Walden’s Der Sturm—the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910–1932)—has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice. Jenny Anger traces Walden’s aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche—forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York’s Société Anonyme (1920–1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism. Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction’s connection with the real.

Handbook of International Futurism


Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311027356X
Category: Art
Page: 984
View: 5746
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The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.

Dada in the Collection of the Museum of Modern Art


Author: Anne Umland,Adrian Sudhalter
Publisher: The Museum of Modern Art
ISBN: 9780870706684
Category: Art
Page: 352
View: 448
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Dada: The Collections of The Museum of Modern Art is the first publication devoted exclusively to MoMAs unrivalled collection of Dada works. Beginning with a core group acquired on the occasion of the landmark Fantastic Art, Dada and Surrealism exhibition of 1936, enriched in 1953 by a bequest selected by Marcel Duchamp, and steadily augmented over the years, the Museums Dada collection presents the movement in its full international and interdisciplinary scope during its defining years, from 1916 through 1924. Catalyzed by the major Dada exhibition that appeared in Paris, Washington, D.C., and at The Museum of Modern Art in 20056, the book benefits from the latest scholarly thinking, not only as found in the exhibitions catalogues but also in the critical responses to them, as well as in an ambitious series of seminars organized around the show. Featuring generously illustrated essays that focus on a selection of the Museums most important Dada works, this publication highlights works in many media, including books, journals, assemblages, collages, drawings, films, paintings, photographs, photomontages, prints, readymades and reliefs. It also includes a comprehensive catalogue of the Museums Dada holdings, including those in the Museums Archives and Library. Edited by Anne Umland and Adrian Sudhalter, members of the Museums Department of Painting and Sculpture, this book inaugurates an ambitious new series of scholarly catalogues on the Museums collection.

Shakespeare Survey


Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521523547
Category: Drama
Page: 228
View: 354
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The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.

A Companion to the Works of Alfred Döblin


Author: David B. Dollenmayer,Roland Albert Dollinger,Wulf Köpke,Heidi Thomann Tewarson
Publisher: Camden House
ISBN: 9781571131249
Category: Literary Criticism
Page: 309
View: 4599
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A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers.

Der Sturm Oder Die Bezuaberte Insel (the Tempest in German Translation)


Author: William Shakespeare
Publisher: B&R Samizdat Express
ISBN: 1455427209
Category: Drama
Page: N.A
View: 3142
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Classic Shakespearean romance in German translation. According to Wikipedia: The Tempest is a play written by William Shakespeare. Many scholars believe that it was written in 1610–11, although some researchers have argued for an earlier dating. While listed as a comedy when it was initially published in the First Folio of 1623, many modern editors have since re-labeled the play a romance. It did not attract a significant amount of attention before the closing of the theatres in 1642 and after the Restoration it attained popularity only in adapted versions. Theatre productions began to reinstate the original Shakespearean text in the mid-19th century, and in the 20th century, critics and scholars undertook a significant re-appraisal of the play's value, to the extent that it is now considered to be one of Shakespeare's greatest works.

Der Sturm de Herwarth Walden

l'utopie d'un art autonome
Author: Maurice Godé
Publisher: N.A
ISBN: N.A
Category: Art critics
Page: 280
View: 1468
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Une étude sur la revue Der Sturm (1910-1932), qui créa une aventure intellectuelle et artistique de plus de deux décennies en introduisant en Allemagne notamment le futurisme et le cubisme.

Diccionario de las lenguas española y alemana


Author: Theresius Freiherr von Seckendorff
Publisher: N.A
ISBN: N.A
Category: Spanish language
Page: N.A
View: 3034
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Der Sturm

Zauber-Lustspiel
Author: William Shakespeare
Publisher: N.A
ISBN: N.A
Category:
Page: 71
View: 6118
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Kirchner and the Berlin Street


Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870707414
Category: Architecture
Page: 138
View: 2214
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Ernst Ludwig Kirchner's remarkable series of paintings known as the Berlin Street Scenes is a highpoint of the artist's work and a milestone of German Expressionism, widely seen as a metaphor for modernity itself through their depiction of life in a major metropolis. Kirchner moved from Dresden to Berlin in 1911, and it was in this teeming city, immersed in its vitality, decadence and underlying sense of danger posed by the imminent World War I, that he created the Street Scenes in a sustained burst of creative energy and ambition between 1913 and 1915. As the most extensive consideration of these paintings in English, this richly illustrated volume examines the creative process undertaken by the artist as he explores his theme through various mediums, and presents the major body of related charcoal drawings, pen-and-ink studies, pastels, etchings, woodcuts and lithographs he created in addition to the paintings. The volume also investigates the significance of the streetwalker as a primary motif, and provides insight on the series in the context of Kirchner's wider oeuvre.

Collaborative Form

Studies in the Relations of the Arts
Author: Thomas Jensen Hines
Publisher: Kent State University Press
ISBN: 9780873384179
Category: Art
Page: 205
View: 5840
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Collaborative form attempts to show the nature and limits of works of art that are made up of two or more artistic forms. The first task of this book is to analyze and interpret a set of combinations. Each chapter treats one collaborative work and attempts to show that the principles of collaboration are the same, whether the components are poetry and graphic works as in Lettera Ambrosa by Rene Char and Georges Braque, poetry and music as in Herzgewachse by Maurice Maeterlinck and Arnold Schoenberg, or more complex sets that include painting, music, dance, lighting, and drama as in Der gelbe Klang by Wassily Kandinsky, Morder, Hoffnung der Frauen by Oskar Kokoschka, and Triad by Alwin Nikolais.

Schillers "Räuber" und der Sturm und Drang


Author: Manfred Wacker
Publisher: A. Kummerle
ISBN: N.A
Category: Literary Criticism
Page: 209
View: 9812
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A Storm in Europe

Bela Kadar, Hugo Scheiber and Der Sturm Gallery in Berlin
Author: Ben Uri,Béla Kádár,Hugó Scheiber,Ben Uri Art Gallery,Ben Uri Gallery. London,Exhibition A Storm in Europe. 2003 - 2004, London
Publisher: N.A
ISBN: 9780900157028
Category: Expressionism (Art)
Page: 72
View: 8269
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