Ghosts of the Abyss

For those who will be drawn anew to the story of the Titanic, as well as for those who have never stopped being fascinated by the ship's tragic fate, James Cameron's "Ghosts of the Abyss" will be a revelation in pictures and words.

Author: Donald Lynch

Publisher: Da Capo Press

ISBN: 0306812231

Category: Science

Page: 143

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Filled with illustrations from "Titanic" director James Cameron's historic 2001 journey inside the infamous wreck, this tour of the ship goes deep inside the hull for an unprecedented look around.
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Ghosts of the Abyss

This breathtakingly illustrated true tale of discovery ties in with a groundbreaking new 3-D, large-screen movie from the director-producer of "Titanic." 200+ full-color photos.

Author: Ken Marschall

Publisher:

ISBN: 5559311154

Category:

Page:

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This breathtakingly illustrated true tale of discovery ties in with a groundbreaking new 3-D, large-screen movie from the director-producer of "Titanic." 200+ full-color photos.
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Titanic

Journey to the heart of the Titanic with one of Hollywood's foremost movie directors.

Author: Mireille Major

Publisher: Hyperion Books for Children

ISBN: 0786818999

Category: Juvenile Nonfiction

Page: 48

View: 230

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Journey to the heart of the Titanic with one of Hollywood's foremost movie directors. Using robots with miniature cameras, Academy Award winner Cameron and his crew returned to the very heart of the wreck, where no one has ventured since the liner sank in 1912. Now, on every page of Titanic: Ghost of the Abyss, young readers can see exactly what the cameras recorded, in three-dimensional detail-from the ship's rust enshrouded prow to the elegant grand staircase and the eerie water-filled staterooms
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James Cameron s Story of Science Fiction

The perfect companion to AMC’s six-part television series James Cameron’s Story of Science Fiction, this unique book explores the history and evolution of the genre with contributions from the filmmakers who have helped bring it to life ...

Author: James Cameron

Publisher: Simon and Schuster

ISBN: 9781683835905

Category: Performing Arts

Page: 224

View: 744

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The perfect companion to AMC’s six-part television series James Cameron’s Story of Science Fiction, this unique book explores the history and evolution of the genre with contributions from the filmmakers who have helped bring it to life. For the show, James Cameron personally interviewed six of the biggest names in science fiction filmmaking—Guillermo del Toro, George Lucas, Christopher Nolan, Arnold Schwarzenegger, Ridley Scott, and Steven Spielberg—to get their perspectives on the importance and impact of the genre. This book reproduces the interviews in full as the greatest minds in the genre discuss key topics including alien life, time travel, outer space, dark futures, monsters, and intelligent machines. An in-depth interview with Cameron is also featured, plus essays by experts in the science fiction field on the main themes covered in the show. Illustrated with rare and previously unseen concept art from Cameron’s personal archives, plus imagery from iconic sci-fi movies, TV shows, and books, James Cameron’s Story of Science Fiction offers a sweeping examination of a genre that continues to ask questions, push limits, and thrill audiences around the world.
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Everlasting Love With The Ghost King

"This is the bottomless abyss of the ghost realm." Graphite suddenly stood up and
looked around him. How strange, the bottomless abyss in the ghost realm should
be bottomless ah, how could they land now? "Then what should we do?

Author: Yue Bai

Publisher: Funstory

ISBN: 9781647812539

Category: Fiction

Page:

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This was not a peaceful world like it seemed to be on the surface. In this city, there were some things that ordinary people could not see. These things did not belong to the human world, but they existed in this world.Li Ling'er was an ordinary employee of the company. Recently, something unimaginable had happened to her. And the story, in such a world, in the haunted building where the female lead works, starts...
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The Cinema of James Cameron

Ghosts of the Abyss (2003) Ghosts of the Abyss is just under an hour in duration
and charts the exploration of the wreck of the Titanic using two newly created
small cameras that can enter the heart of the wreck. The film focuses around Bill ...

Author: James Clarke

Publisher: Columbia University Press

ISBN: 9780231850629

Category: Performing Arts

Page: 224

View: 714

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This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works.
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Exploring the Deep

This deluxe collectors' edition of Exploring the Deep features several exclusive items: A card of authenticity signed by James Cameron.

Author: James Cameron

Publisher: Insight Editions

ISBN: 1608872548

Category: History

Page: 252

View: 394

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Having undertaken more than thirty dives to the wreck of the Titanic, acclaimed director James Cameron has probably gained more first-hand insight into the sinking of the ship than any person alive today. Now, more than one hundred years after the tragedy, Exploring the Deep provides a thrilling account of his remarkable expeditions and the incredible technological innovations that made them possible. Capturing all the excitement, danger, and wonder of these pioneering expeditions, Exploring the Deep also examines the legacy of Cameron's explorations and the considerable impact they have made on our understanding of the disaster. This deluxe collectors' edition of Exploring the Deep features several exclusive items: A card of authenticity signed by James Cameron. A replica of the sketchbook Leonardo DiCaprio's character uses in the movie Titanic containing never-before-seen artwork created for the film by James Cameron. A signed print featuring acclaimed Titanic illustrator Ken Marschall's artwork. The book itself features a cover exclusive to this edition and is presented alongside these exclusive items in a high-quality clamshell case.
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James Cameron

Following an Imax screening of his Ghosts of theAbyss, IronJim Cameron (aka “
The King of the World”) took to the stage to ... Adrian Wootton: We're going to talk
about Ghosts of the Abyss and the audience will get a chance to ask some ...

Author: James Cameron

Publisher: Univ. Press of Mississippi

ISBN: 9781617031311

Category: Performing Arts

Page: 219

View: 642

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James Camerondirector of such films as The Terminator, Aliens, Titanic, and Avataris lauded as one of the most successful and innovative filmmakers of the last 30years. James Cameron: Interviews chronicles the writer-director's rise through Hollywood, highlighted by his "can-do" attitude and his insatiable drive to make the best film possible.
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The New Biographical Dictionary of Film

The Abyss, 1991. Terminator 2: Judgment Day 1994: True Lies. 1997: Titanic.
2002: “Freak Nation,” episode from Dark Angel (TV);2002. Expedition: Bismarck (
d). 2003. Ghosts of the Abyss (d). 2007. The Lost Tomb of Jesus (d). 2009. Avatar
.

Author: David Thomson

Publisher: Knopf

ISBN: 9781101874707

Category: Performing Arts

Page: 1168

View: 351

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For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”
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The Abyss of Madness

and ghosts. The light came, supposedly, with the arrival of natural science, but in
modern psychiatry we have what presents itself as enlightened science, but is
actually a kind of magical thinking. The serious scientific understanding of these ...

Author: George E. Atwood

Publisher: Routledge

ISBN: 9781136621277

Category: Psychology

Page: 236

View: 213

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Despite the many ways in which the so-called psychoses can become manifest, they are ultimately human events arising out of human contexts. As such, they can be understood in an intersubjective manner, removing the stigmatizing boundary between madness and sanity. Utilizing the post-Cartesian psychoanalytic approach of phenomenological contextualism, as well as almost 50 years of clinical experience, George Atwood presents detailed case studies depicting individuals in crisis and the successes and failures that occurred in their treatment. Topics range from depression to schizophrenia, bipolar disorder to dreams, dissociative states to suicidality. Throughout is an emphasis on the underlying essence of humanity demonstrated in even the most extreme cases of psychological and emotional disturbance, and both the surprising highs and tragic lows of the search for the inner truth of a life – that of the analyst as well as the patient.
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Cinematic Appeals

... 183–84, 186, 189, 213; on digital video resolution, 166; Ghosts of the Abyss,
191, 200; on point of convergence, 192; The Terminator, 120; Terminator 2:
Judgment Day, 95, 141, 175–77,221–22, 287n115; Titanic, 96, 145, 146–47,
162,213, ...

Author: Ariel Rogers

Publisher: Columbia University Press

ISBN: 9780231535786

Category: Performing Arts

Page: 352

View: 936

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Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.
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The Ghosts of Justice

To be sure the abyss is the site of erasure, for which reason nothing can happen
in it as such. Yet, like the ghosts who haunt it, the abyss escapes the distinction
real and unreal, existence and nonexistence. Hence if, on the one hand, it is ...

Author: Ashok Kara

Publisher: iUniverse

ISBN: 9780595170579

Category: Philosophy

Page: 448

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It is not possible to read Heidegger's text without the image of his arm raised in the Nazi salute haunting it. The image compels us to examine Heidegger's philosophy in terms of its susceptibility to Nazi ideology. Heidegger's philosophy was inscribed at the end of the history of philosophy, a time when Nazism was on the rise and on its way to the renewal of German destiny. In paragraph six of Being and Time Heidegger outlined his agenda for the renewal of philosophy. The renewal necessitated the destruction of the errant history of ontology in order to retrieve the pure primordial experiences. The parallels between the forms of two agendas are coincidental. However, my work shows where they overlapped. I explore the consequence of this overlap by soliciting the 'first' text of philosophy, The Anaximander Fragment, that speaks about justice and injustice. Justice is also at issue in the text of Jacques Derrida. Derrida's primary resource is paragraph six of Heidegger's Being and Time, a fact that caused some of his readers to assimilate him to Heidegger. Derrida has tried to distance himself from Heidegger and in a late text he has offered us the prescriptive phrase, "Deconstruction is justice," to guide our reading of his text. The phrase invites us to examine Derrida's work in light of its saying. This is what I try to do. I show that a separation cannot be accomplished without a price, because whether an author intends it or not, justice is something ghostly and it keeps its own account. Heidegger's arm and Derrida's hand caught in the trap of paragraph six tell another story, different from the stories the authors tell. The limbs tell the story about the ghosts of justice.
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How to Analyze the Films of James Cameron

Sarah Connor Chronicles and the underwater documentaries Ghosts of the
Abyss (2003) and Aliens of the Deep (2005). He also became more involved with
exploration, partaking in 41 deepsubmersible dives to explore the
bioluminescent ...

Author: Susan E. Hamen

Publisher: ABDO

ISBN: 9781617876370

Category: Juvenile Nonfiction

Page: 112

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This title explores the creative works of famous director James Cameron. Films analyzed include The Terminator, Aliens, Titanic, and Avatar. Clear, comprehensive text gives background biographical information of Cameron. "You Critique It" feature invites readers to analyze other creative works on their own. A table of contents, timeline, list of works, resources, source notes, glossary, and an index are also included. Essential Critiques is a series in Essential Library, an imprint of ABDO Publishing Company.
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Titanic 100th Anniversary Edition

... Marguerite 17 Frost, Artie 232 Fuller, Wilfred 177 Futrelle, Jacques 6 Garber,
Victor xvii, 156–7 Geary, Kathleen 282 gender 54, 63, 84–95 Germanic 163,188
Ghosts of the Abyss (2001) 203 Gibbs, Philip 119, 170 Gibson, Dorothy 6 Gibson,
 ...

Author: Stephanie Barczewski

Publisher: A&C Black

ISBN: 9781441193087

Category: History

Page: 384

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In a night of unforgettable tragedy, the world's most famous liner struck an iceberg on 14 April 1912 and sank. Over 1500 people died. Whose fault it was, and how the passengers and crew reacted, has been the subject of continuing dispute over the 100 years since the disaster. This is an account of Titanic's tragic maiden voyage which also focuses on some of those who died: among them Titanic's captain Edward Smith and builder Thomas Andrews, John Jacob Astor, the richest man on board, and the bandmaster, Wallace Hartley, who played as the ship sank. In this centenary edition Stephanie Barczewski traces the events of that fatal night. Many of those who died were treated as heroes and how these men were remembered says much about contemporary values of manhood, chivalry and national pride. Titanic: A Night Remembered also sets the liner in the context of three ports: Belfast, where she was built; Southampton, which lost 600 citizens as members of her crew; and Queenstown in Ireland, her last port of call.
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3 D Revolution

... a segment from nWave's 15/70mm version of SOS Planet, was being projected
digitally at the Aquarium of the Pacific in Long Beach, California. Other
stereoscopic delights were being served up with James Cameron's Ghosts of the
Abyss ...

Author: Ray Zone

Publisher: University Press of Kentucky

ISBN: 9780813140704

Category: Performing Arts

Page: 456

View: 599

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In 2009, Avatar, a 3-D movie directed by James Cameron, became the most successful motion picture of all time, a technological breakthrough that has grossed more than $2.5 billion worldwide. Its seamless computer-generated imagery and live action stereo photography effectively defined the importance of 3-D to the future of cinema, as well as all other currently evolving digital displays. Though stereoscopic cinema began in the early nineteenth century and exploded in the 1950s in Hollywood, its present status as an enduring genre was confirmed by Avatar's success. 3-D Revolution: The History of Modern Stereoscopic Cinema traces the rise of modern 3-D technology from Arch Oboler's Bwana Devil (1952), which launched the 50s 3-D boom in Hollywood, to the rapidly-modernizing 3-D industry today. Ray Zone takes a comprehensive approach that not only examines the technology of the films, but also investigates the business, culture, and art of their production. Influencing new generations of filmmakers for decades, the evolution of 3-D cinema technology continues to fill our theaters with summer blockbusters and holiday megahits.
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Raindance Producers Lab Lo To No Budget Filmmaking

... The, 197, 268 Gathering Storm, The, 353 Ghosts of the Abyss, 46 Girls Don't
Cry, 337 Go Fish, 21 Gone with the Wind, 20 Good Will Hunting, 6 Heart of Me,
The, 353 Hey! Happyl, 123-4 Honest Thief, The, 15 Human Traffic, 246 Hunted,
The, ...

Author: Elliot Grove

Publisher: Taylor & Francis

ISBN: 9781136047053

Category: Performing Arts

Page: 416

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If you're looking for clear-cut information on how to make a film on a minimal budget that is based on tried and tested techniques - look no further. Elliot Grove has worked on hundreds of low-budget productions, teaches Lo-to-No Budget filmmaking courses and runs the Raindance Film Festival (the largest independent film festival in Europe.) His wealth of teaching and filmmaking experience combined with knowledge of the winning formulas that work is the basis of this book. Refreshingly clear, no-nonsense tricks of the trade. The free CD provides all the contracts and material you need to run a production company and make successful low budget movies; how to schedule, budget and break down a script and how to get it shot with what you have, not what you want. This is a must have read for filmmakers serious about making and selling films. Creative and technical expertise coupled with a behind the scenes look at the film industry makes this book an excellent starting point for beginners. For experienced filmmakers there are plenty of practical approaches in here for you to try, from developing CV's, showreels and business plans to information on pitching, raising finance, creating publicity and much much more. Use it as a point of departure or as an everyday reference tool. The accompanying CD-ROM contains sample budgets, publicity plans, trailers and interviews.
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What Really Sank the Titanic

The resulting nine hundred hours of video were condensed into the forty-five-
minute large-format documentary, Ghosts of the Abyss, released in 2002.
Expedition photos revealed that the decks and their interiors have been steadily
collapsing ...

Author: Jennifer Hooper McCarty

Publisher: Kensington Publishing Corp.

ISBN: 9780806535975

Category: History

Page: 256

View: 285

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Was the ship doomed by a faulty design? Was the hull's steel too brittle? Was the captain negligent in the face of repeated warnings? On the night of April 14, 1912, the "unsinkable" RMS Titanic, with over 2,200 passengers onboard, struck an iceberg in the North Atlantic and plunged to a watery grave. For nearly a century, the shocking loss has haunted the world. Now the same CSI techniques that are used to solve modern murder cases have been applied to the sinking of history's most famous ship. Researchers Jennifer Hooper McCarty and Tim Foecke draw on their participation in expeditions to the ship's wreckage and experiments on recovered Titanic materials to build a compelling new scenario. The answers will astound you.. . . Grippingly written, What Really Sank the Titanic is illustrated with fascinating period photographs and modern scientific evidence reflecting the authors' intensive study of Titanic artifacts for more than ten years. In an age when forensics can catch killers, this book does what no other book has before: fingers the culprit in one of the greatest tragedies ever. "A fascinating trail of historical forensics." --James R. Chiles, author of Inviting Disaster>/I> "An essential facet of Titanic history. Five stars!" --Charles Pellegrino, author of Her Name Titanic With 16 pages of photos
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High Definition Postproduction

... Cameron used HD and DV footage in his IMAX presentation of Ghosts of the
Abyss. The first DI processes were very expensive. Computer storage for the
large data files, software to manipulate those files, and the equipment to expose
film to ...

Author: Steven E. Browne

Publisher: Taylor & Francis

ISBN: 9781136067341

Category: Performing Arts

Page: 248

View: 512

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* Real-world postproduction paths show how it's being done today * Numerous HD tables clear up what format is used for which purpose * Ample information on HDV * Debunks myths and answers common questions about HD Avoid costly missteps in postproduction and get it right the first time with this book. Written by an in-the-trenches professional who works with HD every day, High Definition Postproduction is an overview of this exciting opportunity for film and video production and postproduction professionals. High Definition production and editing is here and definitely a reality. High-def network shows are aired on a weekly basis. Several HD-only channels are well into their production schedules. HD is even used for major film productions and post production processes. However, unlike the existing 4x3, NTSC format, the HD world has many variables. This ability to choose various frame rates, frame sizes, bit rates, and color space options makes this an exciting, yet somewhat daunting challenge. The future may hold even more options as electronics continue to evolve and manufactures continue to exploit this format. Naturally, all of these options can lead to confusion and errors. This book begins with an overview of the HD format and then covers commonly-asked questions. A chapter on shooting details how to smooth the path for post. Postproduction workflows, including the digital intermediate, are covered in great detail, and are enhanced by real-world examples. From HDV to the high-end cameras used in Star Wars and Sin City, this book is your complete guide to HD.
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Color and Mastering for Digital Cinema

... and can add as much as several million dollars to the post production budget.
Meanwhile, IMAX has also shown several short 3D movies that were captured
with stereo camera rigs. These included James Cameron's “Ghosts of the Abyss
 ...

Author: Glenn Kennel

Publisher: Taylor & Francis

ISBN: 9781136033377

Category: Language Arts & Disciplines

Page: 208

View: 461

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Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment and software. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digital cinema distribution is based on decades of color science and experience in other industries. The rationale for choosing XYZ and the other color encoding parameters is explained and the book also provides a full case study of the development of DLP Cinema® projectors by Texas Instruments. Finally, this book explores how the XYZ color encoding concept can be extended to support enhanced display technologies in the future. This book contains: * Brilliant 4-color illustrations that compliment the color science explanations * Never before published industry information from author Glenn Kennel, a world leader in digital cinema color technology * Descriptions of key issues and background on decisions that were made in the standardization process By Glenn Kennel, Glenn Kennel is VP/GM of Feature Film Services at Laser Pacific Media Corporation, a leading provider of a full range of post production services for television and feature film. Recently, he worked for the DLP Cinema group of Texas Instruments in a role that included technology and business development. Previously, in a twenty year career with Kodak, he led the development of the Cineon digital film scanners and laser recorders and the prototype HDTV telecine that became the Spirit Datacine. As a consultant, he helped DCI draft the technical specifications for digital cinema. Kennel also chairs the SMPTE DC28 Color ad hoc group and the DC28.20 Distribution working group. He is a SMPTE Fellow and has received the SMPTE Journal Award. He is also a member of the Academy of Motion Picture Arts and Sciences.
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