Here is New York

Author: Helen Worden

Publisher:

ISBN: OSU:32435009756404

Category: New York (N.Y.)

Page: 411

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Here is New York City

Author: Susan Elizabeth Lyman

Publisher:

ISBN: NYPL:33433092906530

Category: New York (N.Y.)

Page: 256

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Here is New York

Here is New York On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy. It is this largess that accounts for the presence within the city's walls of a considerable section of ...

Author: E. B. White

Publisher: New York Review of Books

ISBN: 9781590174791

Category: Travel

Page: 58

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In the summer of 1948, E.B. White sat in a New York City hotel room and, sweltering in the heat, wrote a remarkable pristine essay, Here is New York. Perceptive, funny, and nostalgic, the author’s stroll around Manhattan—with the reader arm-in-arm—remains the quintessential love letter to the city, written by one of America’s foremost literary figures. Here is New York has been chosen by The New York Times as one of the ten best books ever written about the city. The New Yorker calls it “the wittiest essay, and one of the most perceptive, ever done on the city.”
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Visual Politics of Psychoanalysis

5032 from here is new york). Doug Hamilton (no. 3240 from here is new york). Jeff Jacobson (no. 2566 from here is new york). From Gulnara Samilova (no. 5119 from here is new york). Alya Scully (no. 1880 from here is new york).

Author: Griselda Pollock

Publisher: Bloomsbury Publishing

ISBN: 9780857734600

Category: Social Science

Page: 288

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Activists working in post-traumatic societies have tended to resist psychoanalytical terms because they fear that pathologizing individual suffering displaces the collective and political causes of traumatic violence. In a contrary direction, some thinkers about discourse and power have latterly embraced what Judith Butler insists is 'the psychic life of power'. An openly psychoanalytical modelling of trauma for approaching major historical events such as the Holocaust adds yet a third position. Drawing on all three strands, this book poses the question of visual politics to psychoanalysis. It also explores the relevance of the many psychoanalyses to the study of art and other images in post-traumatic conditions. Visual Politics of Psychoanalysis builds on maverick art historian Aby Warburg's project of combining social, cultural, anthropological and psychological analyses of the image in order to track the undercurrents of cultural violence in the representational repertoire of Western modernity. In this innovative collection, a distinguished group of international authors dare to think psychoanalytically about the legacies of political violence and suffering in relation to post-traumatic cultures worldwide. Drawing on post-colonial and feminist theory, they analyse the image and the aesthetic in conditions of historical trauma from enslavement and colonisation to the Irish Famine, from Denmark's national trauma about migrants and cartoons to collective shock after 9/11, from individual traumas of loss registered in allegory to newsreels and documentaries on suicide bombing in Israel/Palestine, from Kristeva's novels to Kathryn Bigelow's cinema.
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9 11 and the War on Terror

Unlike the activist ethic of 'participatory democracy' on show in Michael Moore's Fahrenheit 9/11 or in Richard Serra's Stop Bush, here is new york's republicanism offered an immersion of the self in collective experience that some ...

Author: David Holloway

Publisher: Edinburgh University Press

ISBN: 9780748632411

Category: History

Page: 208

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This interdisciplinary study of how 9/11 and the 'war on terror' were represented during the Bush era, shows how culture often functioned as a vital resource, for citizens attempting to make sense of momentous historical events that frequently seemed beyond their influence or control.Illustrated throughout, the book discusses representation of 9/11 and the war on terror in Hollywood film, the 9/11 novel, mass media, visual art and photography, political discourse, and revisionist historical accounts of American 'empire,' between the September 11 attacks and the Congressional midterm elections in 2006. As well as prompting an international security crisis, and a crisis in international governance and law, David Holloway suggests the culture of the time also points to a 'crisis' unfolding in the institutions and processes of republican democracy in the United States. His book offers a cultural and ideological history of the period.
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Touching Photographs

Mark Lubell, who worked at Here Is New York during 2002, kindly provided this information about the exhibition. 30. “As a Modernist Swiss-school graphic designer in the late sixties, I knew we were going to remake the world in Helvetica ...

Author: Margaret Olin

Publisher: University of Chicago Press

ISBN: 9780226626468

Category: Photography

Page: 273

View: 719

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Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.
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New York State Folklife Reader

HERE WAS ' figojrgtjeiziages 0f the KAY TURNER To mark the fifth anniversary of September 11, 2001, Brooklyn Arts Council (BAC) Folk Arts mounted an exhibition, “Here Was New York: Memorial Images of the Twin Towers,” in eleven Brooklyn ...

Author: Elizabeth Tucker

Publisher: Univ. Press of Mississippi

ISBN: 9781628469943

Category: Social Science

Page: 282

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Contributions from Robert Baron, Edith Bills, Dee Britton, Varick Chittenden, Lynn Case Ekfelt, Valerie Feschet, Ryn Gargulinski, Curtis Harris, Gus Hedlund, Dale W. Johnson, Kay Kennedy, Leota Lone Dog, Elena Martinez, Karen M. McCurdy, Ellen McHale, Felicia McMahon, Michael L. Murray, Barbara Myerhoff, Sandra Mizumoto Posey, Cathy Ragland, Linda Rosekrans, Puja Sahney, Julia Schmidt-Pirro, Brian Sutton-Smith, Elizabeth Tucker, Kay Turner, Tom van Buren, and Steve Zeitlin New York and its folklore scholars hold an important place in the history of the discipline. In New York dialogue between folklore researchers in the academy and those working in the public arena has been highly productive. In this volume, the works of New York's academic and public folklorists are presented together. Unlike some folklore anthologies, New York State Folklife Reader does not follow an organizational plan based on regions or genres. Because the New York Folklore Society has always tried to "give folklore back to the people," the editors decided to divide the edited volume into sections about life processes that all New York state residents share. The book begins with five essays on various aspects of folk cultural memory: personal, family, community, and historical processes of remembrance expressed through narrative, ritual, and other forms of folklore. Following these essays, subsequent sections explore aspects of life in New York through the lens of Play, Work, Resistance, and Food. Both the New York Folklore Society and its journal were, as society cofounder Louis Jones explained, "intended to reach not just the professional folklorists but those of the general public who were interested in the oral traditions of the State." Written in an accessible and readable style, this volume offers a glimpse into New York State's rich cultural diversity.
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Empire of Ruins

For the printed version: Alice Rose George, Gilles Peress, Michael Shulan, and Charles Traub, eds., Here Is New York: A Democracy of Photographs (Zurich: Scalo Verlag, 2002). The original website (Here Is New York, ...

Author: Miles Orvell

Publisher: Oxford University Press

ISBN: 9780190491628

Category: History

Page: 256

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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis--images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. Empire of Ruins explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, Empire of Ruins offers a provocative and lavishly illustrated look at the American past, present, and future.
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Zaprudered

Both New York exhibitions developed into na- tional tours, and in addition, “Here Is New York” went to London, Paris, and Tokyo. By May 2002, the Here Is New York website had had 260 million hits.30 “The September 11 Photo Project” and ...

Author: Øyvind Vågnes

Publisher: University of Texas Press

ISBN: 9780292742581

Category: Performing Arts

Page: 223

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As the fiftieth anniversary of the Kennedy assassination approaches, the traumatic aspects of the tragedy continue to haunt our perceptions of the 1960s. One reason for this lies in the home movie of the incident filmed by Abraham Zapruder, a bystander who became one of the twentieth century's most important accidental documentarians. The first book devoted exclusively to the topic, Zaprudered traces the journey of the film and its effect on the world's collective imagination. Providing insightful perspective as an observer of American culture, Norwegian media studies scholar Øyvind Vågnes begins by analyzing three narratives that are projections of Zapruder's images: performance group Ant Farm's video The Eternal Frame, Don DeLillo's novel Underworld, and an episode from Seinfeld. Subsequent topics he investigates include Dealey Plaza's Sixth Floor Museum, Zoran Naskovski's installation Death in Dallas, assassin video games, and other artifacts of the ways in which the footage has made a lasting impact on popular culture and the historical imagination. Vågnes also explores the role of other accidental documentarians, such as those who captured scenes of 9/11. Zapruder's footage has never yielded a conclusive account of what happened in Dealey Plaza. Zaprudered thoroughly examines both this historical enigma and its indelible afterimages in our collective imagination.
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In the Words of E B White

There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of ...

Author: E. B. White

Publisher: Cornell University Press

ISBN: 9780801463662

Category: Reference

Page: 248

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"The time not to become a father is eighteen years before a world war."—E. B. White on fatherhood "I was lucky to be born abnormal. It ran in the family."—on luck "I would really rather feel bad in Maine than feel good anywhere else." —on Maine "The English language is always sticking a foot out to trip a man."—on language The author of Charlotte's Web and One Man's Meat, coauthor of The Elements of Style, and columnist for The New Yorker for almost half a century, E. B. White (1899–1985) is an American literary icon. Over the course of his career, White inspired generations of writers and readers with his essays (both serious and humorous), children's literature, and stylistic guidance. In the Words of E. B. White offers readers a delightful selection of quotations, selected and annotated by his granddaughter and literary executor, Martha White. The quotations cover a wide range of subjects and situations, from Automobiles, Babies, Bees, City Life, and College to Spiders, Taxes, Weather, Work, and Worry. E. B. White comments on writing for children, how to tell a major poet from a minor one, and what to do when one becomes hopelessly mired in a sentence. White was apt to address the subject of security by speaking first about a Ferris wheel at the local county fair, or the subject of democracy from the perspective of roofing his barn and looking out across the bay—he had a gift for bringing the abstract firmly into the realm of the everyday. Included here are gems from White's books and essay collections, as well as bits from both published and unpublished letters and journals. This is a book for readers and writers, for those who know E. B. White from his "Notes and Comment" column in The New Yorker, have turned to The Elements of Style for help in crafting a polished sentence, or have loved a spider's assessment of Wilbur as "Some Pig." This distillation of the wit, style, and humanity of one of America's most distinguished essayists of the twentieth century will be a welcome addition to any reader's bookshelf.
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