Masaccio Masolino

Paul Joannides' catalogue raisonné forms a uniquely authoritative and perfectly up-to-date study of the total oeuvre of both artists.

Author: Paul Joannides

Publisher: Phaidon Press

ISBN: 0714823988

Category: Art

Page: 488

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The names of Masaccio (1401-28) and Masolino (1383-1440) are inseparable, and their collaboration is an essential starting point for the study of either artist. Masaccio's Holy Trinity and the recently cleaned collaborative frescos in the Brancacci Chapel in Florence are key works in the development of Western art. Paul Joannides' catalogue raisonné forms a uniquely authoritative and perfectly up-to-date study of the total oeuvre of both artists. Composed with lucidity and richly illustrated, it makes accessible to all lovers of art - from the connoisseur to the casual reader - some of the greatest paintings of the early Renaissance, and most momentous works of Western painting.
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The Panel Paintings of Masaccio and Masolino

A glossary defines the many technical terms. The book has been conceived for a general reading public and not necessarily only specialists on technique or historians of early Renaissance art.

Author: Carl Strehlke

Publisher: 5Continents

ISBN: UOM:39015055886363

Category: Art

Page: 267

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The combination of detailed technical studies with art historical insight sheds new light on the life, oeuvre, and working methods of two great Italian Renaissance masters: Masolino and Masaccio. A team from the Opificio delle Pietre Dure, the great conservation institute in Florence, joined by colleagues from the National Gallery in London and the Philadelphia Museum of Art examined all their panel paintings in European and American museums with special single sheet X-radiographs and infrared reflectographic scanning equipment. Thanks to these methods, the researchers were able to enter into the painting technique of these artists in ways that even a few years before would not have been possible. The study has lead to a greater understanding of the artists' collaboration and their chronology. It has also been possible to reconstruct more precisely a number of altarpieces and also question earlier reconstructions for Masaccio's Pisa altarpiece of 1426. Fine examples of Masaccio's underdrawing have been revealed as well as Masolino's innovative use of oil mediums. But the book is not only technical; all technical information has been correlated to art historical concerns about early Renaissance art such as the role of the guilds, the nature of collaboration between artists and other craftsmen, and the relationship between patron and artist. In fact, the book shows how a detailed technical study can answer or open up many questions that have previously been the purview of art historians who never knocked on the door of a laboratory. The book contains technical entries for each of the paintings as well as photographs of their fronts and backs, X-radiographs, and infrared reflectograms. The introduction by Carl Brandon Strehlke summarizes the results and reviews the usefulness of laboratory research for this type of art history. An essay by Roberto Bellucci and Cecilia Frosinini interweaves a social and documentary history of the two artists' lives with a technical study of their paintings. Jill Dunkerton and Dillian Gordon's essay is on the vicissitudes of the Pisa altarpiece and problems of its reconstruction. Strehlke and Mark Tucker's essay on the Santa Maria Maggiore altarpiece discusses the two artists' last collaboration. There are also specific essays by Bellucci and Frosinini on the Carnesecchi and San Giovenale altarpieces. A glossary defines the many technical terms. The book has been conceived for a general reading public and not necessarily only specialists on technique or historians of early Renaissance art.
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Masaccio

This book explores Masaccio's accomplishment as epitomized by the multipaneled painting of which theSaint Andrewpanel is thought to have once formed a part: the Pisa Altarpiece, one of the truly great polyptychs in the history of Italian ...

Author: Eliot Wooldridge Rowlands

Publisher: Getty Publications

ISBN: 9780892362868

Category: Art

Page: 108

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Ranked by many scholars as the greatest master of early Italian Renaissance painting, Masaccio (1401-1428) was the first artist to use effects of light to create three-dimensional images on a two-dimensional plane. This achievement, revolutionary in Masaccio's day, is one of the painter's significant contributions to art history. This book explores Masaccio's accomplishment as epitomized by the multipaneled painting of which theSaint Andrewpanel is thought to have once formed a part: the Pisa Altarpiece, one of the truly great polyptychs in the history of Italian Renaissance art, produced in 1426 for a chapel in the church of Santa Maria del Carmine, Pisa. The text discusses Masaccio's short life and illustrious career; the commission for the altarpiece; its patron and program; the painting's original location; and the role that the church friars played in the actual commission. Finally, after examining the polyptych's individual panels, the book traces their subsequent history and recounts how art historians came to identify them.
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Masolino Da Panicale

This book fills a serious gap in the literature on Italian Renaissance art. Although there have been numerous, recent contributions to the study of Masolino, a detailed monograph has been lacking.

Author: Jay Roberts

Publisher: Oxford University Press, USA

ISBN: UOM:39015032532304

Category: Painting, Renaissance

Page: 273

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Masolino da Panicale is a study of the life and works of the early fifteenth-century Florentine artist (active 1423-35), who is best known for his collaboration with Masaccio on the frescos of the Brancacci Chapel of Santa Maria del Carmine, Florence, restored to their original brilliance in 1983-88. This book fills a serious gap in the literature on Italian Renaissance art. Although there have been numerous, recent contributions to the study of Masolino, a detailed monograph has been lacking. Perri Lee Roberts discusses the nature of Masolino's and Masaccio's collaboration, and their styles. She includes up-to-date information about the newly-cleaned frescos in the Brancacci Chapel and other works by Masolino, a detailed analysis of his works in chronological order, a discussion of his patrons, and an evaluation of his place in the history of Early Renaissance painting. Two appendices contain all the known documents concerning Masolino, and a catalogue raisonne of his accepted, related, and rejected works.
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Masaccio and Masolino

Author: Paul Joannides

Publisher: Harry N Abrams Incorporated

ISBN: 0810936364

Category: Painting, Italian

Page: 488

View: 264

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Delphi Complete Works of Masaccio Illustrated

This volume presents Masaccio’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Masaccio, fully indexed and ...

Author: Masaccio

Publisher: Delphi Classics

ISBN: 9781788779975

Category: Art

Page: 489

View: 561

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The first great artist of the Quattrocento period of the Italian Renaissance, Masaccio would have an incredible impact on the course of Western art, in spite of his untimely death at the age of twenty-six. He is noted for his skill in imitating nature, recreating lifelike figures and his unprecedented use of chiaroscuro and three-dimensionality. Preparing the way for Leonardo and Michelangelo, Masaccio transformed the direction of Italian painting, moving it away from the idealisations of Gothic art and favouring the depiction of a more profound, natural and humanist world. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Masaccio’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Masaccio, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Masolino’s and Filippino Lippi’s contributions to the celebrated Brancacci Chapel * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Masaccio’s celebrated works in detail, as featured in traditional art books * Numerous images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Features two bonus biographies, including Vasari’s Life of the artist – discover Masaccio's world Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights The San Giovenale Triptych Portrait of a Young Man The Madonna and Child with Saint Anne Madonna with Child and Four Angels Expulsion of Adam and Eve The Tribute Money The Baptism of the Neophytes Raising of the Son of Theophilus and Saint Peter Enthroned Saint Peter Healing the Sick with His Shadow The Distribution of Alms and Death of Ananias The Holy Trinity The Agony in the Garden The Madonna and Child The Berlin Tondo Saint Jerome and Saint John the Baptist The Paintings The Complete Paintings Alphabetical List of Paintings The Biographies Life of Masaccio by Giorgio Vasari Masaccio by Gaston Sortais Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
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Reclaiming Rome

the collaboration between the two artists from Florence, Masaccio and Masolino, overshadowing its significance in its broader context.

Author: Carol M. Richardson

Publisher: BRILL

ISBN: 9789004171831

Category: History

Page: 519

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The fifteenth century was a critical juncture for the College of Cardinals. They were accused of prolonging the exile in Avignon and causing the schism. At the councils at the beginning of the period their very existence was questioned. They rebuilt their relationship with the popes by playing a fundamental part in reclaiming Rome when the papacy returned to its city in 1420. Because their careers were usually much longer than that of an individual pope, the cardinals combined to form a much more effective force for restoring Rome. In this book, shifting focus from the popes to the cardinals sheds new light on a relatively unknown period for Renaissance art history and the history of Rome. Dr. Carol M. Richardson has been awarded the Philip Leverhulme Prize (2008) in the field of History of Arts.
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Picturing Christian Witness

138-57 ; Keith Christiansen , “ Masolino ( da Panicale ) , ” in Dart 20 : 553-59 ; Paul Joannides , Masaccio and Masolino : A Complete Catalogue ( London ...

Author: Stanley H. Skreslet

Publisher: Wm. B. Eerdmans Publishing

ISBN: 0802829562

Category: Religion

Page: 263

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Christian mission in previous centuries often drew on images of imperial expansion and war. Today, foreign mission in so-called restricted-access countries is envisioned as a kind of holy espionage. But are “civilizing” crusades and warfare, even covert, appropriate images to associate with the good news of Jesus Christ? In Picturing Christian Witness, missiologist Stanley Skreslet searches for new, more holistic images of mission from Scripture. Skreslet undertakes a novel exegetical study of mission in the New Testament that focuses on the first followers of Jesus. Skreslet highlights five actions that depict the witness of these disciples: announcing good news, sharing Christ with friends, interpreting the gospel, shepherding, and building/planting. After carefully examining key biblical passages, he draws out the implications of these five images for the theology of mission and lets each image take shape visually through an array of Western and non-Western art. Picturing Christian Witness will provoke students of mission and of the Bible to imagine what mission will look like when actively embodied by contemporary disciples of Jesus.
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Genealogies of Political Modernity

We do not know with certainty whether Masolino died in 1440 or 1447; see Paul Joannides, Masaccio and Masolino: A Complete Catalogue (London: Phaidon, ...

Author: Antonio Cerella

Publisher: Bloomsbury Publishing

ISBN: 9781350079489

Category: Philosophy

Page: 280

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What is political modernity? And how much of its concepts and structures has changed or remained the same with the advent of the so-called globalization? What does it mean, from a political perspective, that we live in a postmodern era? This book discusses these issues in light of the key authors and texts of the continental philosophical tradition: from Carl Schmitt to Giorgio Agamben, from Thomas Hobbes to Michel Foucault. Looking at the roots of the current historical crisis that characterizes Western political regimes, this book gazes into the past in order to trace the possible development of our current global era, in which all the classical concepts and our symbolic resources seem to be called into question, leaving a vacuum of meaning for political action as much as for political theory.
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BRANCACCI CHAPEL MASOLINO MA

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Author: Austen Henry Sir Layard, 1817-1894

Publisher: Wentworth Press

ISBN: 1361203056

Category: History

Page: 92

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Our Beautiful Dry and Distant Texts

Zahn Filippino Filippine Magolino C ) Masaccio Sasolina Masaccio Masolino M. Filippine Marollo Masaccio Masolina ( 1 ) Filippine Maslino Basacelo Fllpo .

Author: James Elkins

Publisher: Penn State Press

ISBN: 0271043903

Category: Art

Page:

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