Nineteenth-Century Music


Author: Carl Dahlhaus
Publisher: Univ of California Press
ISBN: 9780520076440
Category: Biography & Autobiography
Page: 417
View: 4077
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A survey of the most popular period in music history details many of the socio-historical influences on music of this period, the impact of Beethoven's death, and the rise of grand opera.

The Cambridge History of Nineteenth-Century Music


Author: Jim Samson
Publisher: Cambridge University Press
ISBN: 9780521590174
Category: Music
Page: 772
View: 3441
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First published in 2002, this comprehensive overview of music in the nineteenth century draws on extensive scholarship in the field.

Music at the Turn of Century

A 19th-century Music Reader
Author: Joseph Kerman
Publisher: Univ of California Press
ISBN: 9780520068551
Category: Music
Page: 207
View: 3939
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Turn-of-the-century modernists were involved, implicated, and often locked in a struggle with all the formidable legions of nineteenth-century music. The focus of this collection, essays originally published in the journal "19th-Century Music, is upon modernism in relation to its immediate heritage. Major composers whose reflections on the past come under consideration include Debussy, Mahler, Schoenberg, Stravinsky, Bartok, and Ives, while older composers such as Liszt and Wolf figure as precursors of modernist harmony and sensibility. The contributors include many leading musicologists, critics, and music theorists known for their work on nineteenth- and twentieth-century music. Some of the essays deal closely with the new musical languages that evolved in that era; others deal with reception and performance issues. Many of them bring together insights from various subdisciplines to achieve a richer kind of composite scholarship than is available to traditional musical studies.

Realism in Nineteenth-Century Music


Author: Carl Dahlhaus
Publisher: CUP Archive
ISBN: 9780521261159
Category: Music
Page: 131
View: 882
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The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.

Chromatic Transformations in Nineteenth-Century Music


Author: David Kopp
Publisher: Cambridge University Press
ISBN: 9780521028493
Category: Music
Page: 292
View: 4395
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David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.

Music in the Nineteenth Century: The Oxford History of Western Music


Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199796025
Category: Music
Page: 928
View: 6110
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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. In Music in the Nineteenth Century , Richard Taruskin offers a panoramic tour of this magnificent century in the history music. Major themes addressed in this book include the romantic transformation of opera, Franz Schubert and the German lied, the rise of virtuosos such as Paganini and Liszt, the twin giants of nineteenth-century opera, Richard Wagner and Giuseppe Verdi, the lyric dramas of Bizet and Puccini, and the revival of the symphony by Brahms. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

Nineteenth-century Choral Music


Author: Donna Marie Di Grazia
Publisher: Routledge
ISBN: 0415988527
Category: Music
Page: 521
View: 6298
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Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical context from over a dozen regions of the world: Britain and Ireland, the Czech Republic, France, Germany, Hungary, Italy, Latin America, the Philippines, Poland, Russia, Scandinavia and Finland, Spain, and the United States. This diverse collection of essays brings together the work of 25 authors, many of whom have devoted much of their scholarly lives to the composers and music discussed, giving the reader a lively and unique perspective on this significant part of nineteenth-century musical life.

Sarah Anna Glover

Nineteenth Century Music Education Pioneer
Author: Jane Southcott
Publisher: Lexington Books
ISBN: 1793606048
Category: Music
Page: 358
View: 7629
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In Sarah Anna Glover: Nineteenth Century Music Education Pioneer, Jane Southcott explores the life and pedagogy of Sarah Anna Glover, the female music education pioneer of congregational singing (psalmody) and singing in nineteenth-century schools. Glover devoted her life to the creation and propagation of a way of teaching class music that was meticulously devised, musically rigorous, and successfully promulgated. Southcott analyzes Glover’s methods, history, and memory, and works to correct inaccuracies and misrepresentations that have emerged since Glover’s death.

Interpreting the Musical Past : Early Music in Nineteenth-Century France

Early Music in Nineteenth-Century France
Author: University of London Katharine Ellis Reader in Music Royal Holloway
Publisher: Oxford University Press, USA
ISBN: 0199710856
Category: Music
Page: 320
View: 3766
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This study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.

Nineteenth-century Piano Music

Essays in Performance and Analysis
Author: David Witten,Michael Saffle
Publisher: Psychology Press
ISBN: 9780815315025
Category: Music
Page: 310
View: 5043
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Nineteenth-Century Piano Music clarifies some theoretical concepts, debunks some longstanding myths, and above all, stimulates the reader's intellectual curiosity about the piano repertoire of the 19th century. While our emotions tell us that this repertoire is thrilling to hear and exciting to play, our intellect demands explanations, some of which are provided in the essays in this collection.

Music Analysis in the Nineteenth Century: Volume 2, Hermeneutic Approaches


Author: Ian Bent
Publisher: Cambridge University Press
ISBN: 9780521673471
Category: Music
Page: 320
View: 4209
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Newly translated writings of nineteenth-century music critics and theorists, including Wagner and Berlioz.

Music & the British Military in the Long Nineteenth Century


Author: Trevor Herbert,Helen Barlow
Publisher: Oxford University Press
ISBN: 0199898316
Category: History
Page: 353
View: 8278
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The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.

Mimomania

Music and Gesture in Nineteenth-Century Opera
Author: Mary Ann Smart
Publisher: Univ of California Press
ISBN: 0520248317
Category: Music
Page: 247
View: 4490
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"Mimomania is a thoughtful meditation on the persistence and transformation of the musical mimicry of bodily gesture in nineteenth-century opera. Incorporating and reacting to feminist critique, film studies, and recent, new-wave opera studies, Smart shows that this ostensibly straightforward relation of music and action hides unexpected complexities. From these she rethinks important works from the period and indeed the relation of its two giants, Verdi and Wagner."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "Mary Ann Smart's important and timely book documents--deftly and in rich musical detail--the ways that nineteenth-century operas reflect a character's emotive state in the music and in sometimes closely coordinated physical gestures. Opera lovers will delight in applying Smart's insights to yet other works: ones that they know, love, and sometimes puzzle over."—Ralph P. Locke, Professor of Musicology, Eastman School of Music "An outstanding contribution to the study of nineteenth-century opera. Its focus on the relationship between music and gesture provides a new perspective that yields a dazzling array of exciting insights. Not only musicologists, but also cultural historians, theatre historians, feminist theorists and anybody interested in the study of performance will benefit from reading this book. Opera enthusiasts will also enjoy Smart's sometimes irreverent, but always illuminating interpretations of both canonized works and less frequently performed titles."—Emanuele Senici, University of Oxford

Listening to Reason

Culture, Subjectivity, and Nineteenth-Century Music
Author: Michael P. Steinberg
Publisher: Princeton University Press
ISBN: 1400835739
Category: Music
Page: 264
View: 1107
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This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. Defining subjectivity as the experience rather than the position of the "I," Steinberg argues that music's embodiment of subjectivity involved its apparent capacity to "listen" to itself, its past, its desires. Nineteenth-century music, in particular music from a north German Protestant sphere, inspired introspection in a way that the music and art of previous periods, notably the Catholic baroque with its emphasis on the visual, did not. The book analyzes musical subjectivity initially from Mozart through Mendelssohn, then seeks it, in its central chapter, in those aspects of Wagner that contradict his own ideological imperialism, before finally uncovering its survival in the post-Wagnerian recovery from musical and other ideologies. Engagingly written yet theoretically sophisticated, Listening to Reason represents a startlingly original corrective to cultural history's long-standing inhibition to engage with music while presenting a powerful alternative vision of the modern. Some images inside the book are unavailable due to digital copyright restrictions.

Fantasies of Improvisation

Free Playing in Nineteenth-Century Music
Author: Dana Gooley
Publisher: Oxford University Press
ISBN: 019063359X
Category: Music
Page: 256
View: 600
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The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential "idea" of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the "work."

Representing Non-Western Music in Nineteenth-century Britain


Author: Bennett Zon
Publisher: University Rochester Press
ISBN: 9781580462594
Category: History
Page: 344
View: 7529
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Explores the influence of anthropological theories, travel literature, psychology, and other intellectual trends on the perception of non-Western music and elucidates the roots of today's field of ethnomusicology.

Music and Institutions in Nineteenth-Century Britain


Author: Dr Paul Rodmell
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409471020
Category: Music
Page: 297
View: 4126
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In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.