Themes in Latin American Cinema

A Critical Survey, 2d ed.

Author: Keith John Richards

Publisher: McFarland

ISBN: 1476677824

Category: Performing Arts

Page: 303

View: 9963


This updated and expanded edition gives critical analyses of 23 Latin American films from the last 20 years, including the addition of four films from Bolivia. Explored throughout the text are seven crucial themes: the indigenous image, sexuality, childhood, female protagonists, crime and corruption, fratricidal wars, and writers as characters. Designed for general and scholarly interest, as well as a guide for teachers of Hispanic culture or Latin American film and literature, the book provides a sweeping look at the logistical circumstances of filmmaking in the region along with the criteria involved in interpreting a Latin American film. The book also includes interviews with and brief biographies of influential filmmakers, along with film synopses, production details and credits, transcripts of selected scenes, and suggestions for discussion and analysis.

From Silver Screen to Spanish Stage

The humorists of the Madrid vanguardia and Hollywood film

Author: Stuart Nishan Green

Publisher: University of Wales Press

ISBN: 0708323448

Category: Social Science

Page: 216

View: 6580


The work of the humorists of the Madrid vanguardia continues to be enjoyed in the Hispanic world and to be explored by scholars of modern culture in Spain. Yet virtually no academic attention has been paid to them in Engish-speaking academe. This is the first book-length study of the group as a whole, and analyses their responses in print and on stage to Hollywood film from the 1920s to the 1960s, a feature of their work often signalled but never examined in detail. With the advent of the talkie and the raising of the language barrier, Hollywood studios recruited writers from continental Europe to work on foreign-language versions of certain titles. Thus Tono, Edgar Neville, Enrique Jardiel Poncela and José López Rubio came to experience Hollywood first-hand. These four humorists and colleague Miguel Mihura had already established a reputation in Spain with prose writings and plays inspired by the avant-garde. Subsequently, they sought to innovate by exploiting Hollywood cinema’s visual style, narrative verve and madcap gags in their theatre. Drawing on archival work, the methodologies of theatre and film studies, and scholarly writings on Hollywood genres and stars, this book examines the humorists’ experiments on stage as the most significant early case in Spain of the ‘remediation’ of cinema and of what Philip Auslander describes as the ‘media epistemology’ generated by Hollywood’s immense popularity. It contextualises the humorists’ opinions and representations of the US and domestic film industries with reference to contemporary attitudes, outlines and implements a framework for the systematic study of ‘remediation’ in the humorists’ stage adaptations of films and original plays, and traces the influence of Charlie Chaplin and the Marx Brothers in their comic devices. The curtailing of such experimentation shortly into the Franco dictatorship exemplifies the conservatism of this period of Spanish culture.

The Cinema of Latin America

Author: Alberto Elena,Marina Díaz López

Publisher: Columbia University Press

ISBN: 0231501943

Category: Performing Arts

Page: 288

View: 8113


The Cinema of Latin America is the first volume in the new 24 Frames series of studies of national and regional cinema. In taking an explicitly text-centered approach, the books in this series offer a unique way of considering the particular concerns, styles and modes of representation of numerous national cinemas around the world. This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation. Through 24 individual concise and insightful essays that each consider one significant film or documentary, the editors of this volume have compiled a unique introduction to the cinematic output of countries as diverse as Brazil, Argentina, Cuba, Mexico, Bolivia, Chile and Venezuala. The work of directors such as Luis Buñuel, Thomas Guiterrez Alea, Walter Salles, and Alfonso Arau is discussed and the collection includes in-depth studies of seminal works as such Los Olvidados, The Hour of the Furnaces, Like Water For Chocolate, Foreign Land, and Amoros Perros.

Postmodernism’s Role in Latin American Literature

The Life and Work of Augusto Roa Bastos

Author: H. Weldt-Basson

Publisher: Springer

ISBN: 0230107931

Category: Literary Criticism

Page: 244

View: 3708


Augusto Roa Bastos (1917-2005), winner of the prestigious Cervantes prize, is one of the most important Latin American writers of the twentieth century. This commemorative collection consists of articles by nine scholars reflecting upon the postmodern nature of the Paraguayan author s literary production and his place in world literature. The volume includes articles on the author s screenplays, his masterpiece, the dictator novel I The Supreme, his short stories, feminist approaches to Roa Bastos s novels, reflections on the writer s Guarani poetry, and a study of the complex, intertextual relationships between his novel El fiscal and his other texts.